Rupert Taylor is an anomaly. Like every UK garage producer his work is infiltrated with cut-up and distorted R&B vocal clips, yet his output is consistently forward-thinking and diverse. Got Me So is filled with his aural signatures – bulbous bass lines, frisky hi-hats and an inkling of techno and house, a combination that is ten times more intriguing than any release from his more omnipresent peers such as Disclosure or SBTRKT.
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