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Matt Joyce brings a '90s alt-rock revival with his catchy new single, 'No Surprises'
The best (and worst) new tracks this fortnight: Bad Bangs, Flying Lotus and regrettably, Weezer
On 'Smiling with No Teeth', Genesis Owusu has delivered one of the albums of the year
Odette's new album ‘Herald' is an ambitious project executed so flawlessly it seems effortless
Chutney's new Elton John-inspired single 'Invisible' is beautifully bittersweet
Shame's new album 'Drunk Tank Pink' is one of the best post-punk records in recent memory
Sleaford Mods' 11th album 'Spare Ribs' is a bruising appraisal of Britain's current cataclysm
Something For Kate make a spirited return with their first album in eight years, 'The Modern Medieval'
King Gizzard's 16th album 'K.G.' is an epic mishmash of all the band's prior achievements
Hachiku's 'I'll Probably Be Asleep' is one of the best Melbourne albums of 2020
Swim Lanes' debut self-titled EP is a hazy dream-pop adventure
"As bent as a snake": Crowded House's first single in a decade is a curious wonky pop number
Ball Park Music affirm their status as Australia's loveliest band with their new self-titled album
Review: Future Islands' new album, 'As Long As You Are', is a refreshing return to form
Iconic Melbourne anthems: Honouring Courtney Barnett's endlessly-relatable 'Depreston'
Fontaines D.C. ruthlessly pick themselves apart on their damning second album, 'A Hero's Death'
Featuring 14 collaborators, Alice Ivy's new album is a celebration of community and diversity
