Danny Brown’s Side B (Dope Song) proved Rustie was a perfect production cohort for the Detroit rapper’s wild out, molly-addled, festival-bait anthems. The team-up again produces the goods with the inversely billed Attak. Not as all-obliterating as Dope Song, but still bone-shaking in the best way. A few of Danny’s bars get a tad lost in Rustie’s noodling high-register tones, but if you’re looking for lyrical resonance, you’ve come to the wrong place.
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