‘TiLT’: The Baudelaires are psychedelic, man!
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06.09.2022

‘TiLT’: The Baudelaires are psychedelic, man!

The Baudelaires TiLT
Review by Bryget Chrisfield

Layered, fuzz-drenched guitars, distortion aplenty, powerful-but-measured drumming and distant vocals, which act more like an additional instrument than deliverer of messages – The Baudelaires are psychedelic, man!

And we can certainly imagine tripped-out punters at their gigs, in the zone and quite possibly decoding secret communication while immersed in these hypnotic, sprawling arrangements.

Find your next favourite act. Check out the best new music from local and independent artists here.

The Baudelaires’ ‘Roller Vaseline’ was born from an attempt at writing a song in the style of their former tourmates, Italy’s New Candys – band bromance alert! But the Melbourne-based quartet’s latest single soon morphed into an entirely different beast, according to The Baudelaires frontman Grischa Zahren-Bergner, especially the“Hawaiian-esque bridge” inspired by New Candys lead vocalist Fernando Nuti “nailing his first ever surf at Bermagui beach” during their Australian tour. 

Built from a stop-starty riff that channels Silverchair’s ‘Freak’, lead single ‘Parasol’ shimmies with tambourine accents. “If I could keep it turning, ‘til I feel nothing” – The Baudelaires wrote this one about some post-show hijinks in Belgium, including that time they latched onto a gambling addict who was hogging a roulette table. 

Closing track ‘Solid Rock’ struts along nonchalantly until an instrumental freakout invades around the three-minute mark. The song then exponentially quickens in pace – the lunatics taking over the asylum – there’s a brief pause, then The Baudelaires lock back into their original groove (show-offs!) to close. 

Label: Cheersquad Records
Release date: 2 September