‘I’m gonna die with this frown on my face’: Ruby Gill’s wistful melodies are testament to her fandom
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06.09.2022

‘I’m gonna die with this frown on my face’: Ruby Gill’s wistful melodies are testament to her fandom

Ruby Gill I’m gonna die with this frown on my face
Review by Bryget Chrisfield

You can’t help but smile while looking at the adorbs photo of Baby Ruby that graces the cover of her debut album, perfectly illustrating its title.

Johannesburg-born, Melbourne-based songwriter Ruby Gill has said that Mary Oliver and Leonard Cohen “taught [her] about words” and the opening title track’s opening lines immediately demonstrate her knack for verbalising internal conflict: “I’ve got one request, it’s simple/ Please don’t let the people in/ I am nursing an intolerance for social interaction.” 

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Striking standout track ‘Anchor’ – with its syncopated drum beats, feedback squall, foreboding guitar lines and intensifying vocal harmonies – tunes into Radiohead’s frequency. 

“I just wanna know/ When I can hug my mum/ My stepfather is getting old/ And someone’s bullying his son/ And I can’t help…” – ouch, my heart! Gill wrote ‘Borderlines’ – an ode to the Australian government’s “bureaucratic nonsense” – while here on a temporary bridging visa.

Whether she’s singing about ‘public panic attacks’, arguing about driving directions (‘In time with the engine turning over’) or pondering “Why are you making me dinner?/ Why am I still here?” following a trip to an ex-boyfriend’s house to collect her things (‘All the birds under the Westgate’), Gill’s delivery switches from sweet-sounding to cracking with raw emotion on a dime.

A classically trained pianist and self-confessed Missy Higgins tragic, Gill’s vocal tone and devastatingly beautiful, wistful melodies are testament to her fandom.

Label: Independent
Release date: 2 September