A frustrating mire of clichéd break-up lyricism sullies an otherwise tasty cut from The Harpoons, with hearty synth percussion otherwise delivering satisfying punch. Lines like “I don’t even know if you are coming home / I don’t even know if I will reach you on your cell phone,” are almost terminally uninspired. Plus the vocal duet is weighted a bit too heavily towards the detached Martin King instead of the invariably captivating Bec Rigby.
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