QLDer Jeremy Neale has a knack for power chord progression that results in pop rock that Feels Good Man, here on a ‘80s pop-rock throwback, at its best reminiscent of The Carsshades of Liam Finn without the daring within the bridge, and in the chorus, Luke Steele impulse. The good ideas are mitigated by the middling overreach, its safe brand of indulgence yielding little reward.
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