‘Emotional, sobering and a bit scary’: Tarrawarra announces major Brent Harris retrospective
Subscribe
X

Get the latest from Beat

28.09.2023

‘Emotional, sobering and a bit scary’: Tarrawarra announces major Brent Harris retrospective

Brent Harris exhibition
Brent Harris, peaks (vision over Taranaki) 2019, oil on linen, 220.0 x 160.0 cm. Collection of David Cleary, Sydney © Brent Harris. Photo: Russell Kleyn
Words by Staff Writer

TarraWarra Museum of Art has announced a major survey exhibition exploring the work of senior contemporary Melbourne-based artist Brent Harris, presented from 2 December 2023 to 11 March 2024.

The exhibition Brent Harris: Surrender & Catch, curated by Maria Zagala and co-presented with the Art Gallery of South Australia, brings together over 100 paintings, drawings, studies and prints, traversing the artist’s practice and stylistic shifts over his career.

Brent Harris: Surrender & Catch maps the ways Harris’s art has developed over the past four decades, featuring a broad selection of works from 1987 to 2022. Harris’s distinctive style, which moves between figuration and abstraction, deploys both humour and the grotesque to examine psychological subject matter as he visualises his complex and contradictory feelings. Indeed, the exhibition title refers to Harris’s interest in sociologist Kurt H. Wolff’s notion of ‘surrender and catch’ as a process for self-analysis and as a method of working.

Brent Harris: Surrender & Catch

  • 2 December 2023 – 11 March 2024
  • TarraWarra Museum of Art, Wurundjeri Country

Explore Melbourne’s latest arts and stage news, features, festivals, interviews and reviews here.

Addressing the experience of the body and desire, faith (and the question of what follows death), and childhood memories of porous familial relationships, Brent Harris says, “To experience 30 years of your past, laid out in images of your own making, is alternately quite emotional, sobering and a bit scary. During the making of these works one doesn’t really see how things might add up in the future. Time is that added ingredient. In considering what the result of a life spent making imagery now looks like, an overriding concern has been a return, again and again, to thinking about the human condition – the craziness we all face in our individual and collective struggles, in attempting to hold our lives together in some meaningful way. My work is a continuing search, vainly perhaps at times, to make meaning. I am endlessly searching for revelation, if only expressed in a desire to the next image to be revealed.”

“It is a privilege to be given these opportunities to assess my journey so far, and for any artist to see their work at TarraWarra, one of the most beautiful galleries in the country, is an exceptional opportunity. For the exhibition then to be extended in size to occupy the glorious spaces at AGSA in 2024 will be revelatory, even to the artist alone, I’m sure,” Harris said.

Harris’s ambiguous forms in his work derive from his use of the Surrealist technique of automatic drawing to access unconscious imagery. Working concurrently across painting, printmaking and drawing, Harris has developed a generative methodology, where each medium feeds the development of his art in unexpected ways.

https://www.instagram.com/p/CxK8buEBKY0/?img_index=1

Exhibition Curator Maria Zagala said: “Developed slowly over the course of many years, this exhibition presents a comprehensive overview of Harris’s formidable career. If the making of art can be seen as a process of excavation, then the circumstances of Brent Harris’s maturation – from a difficult childhood in Aotearoa New Zealand through to his early twenties as a gay man during the onset of the AIDS pandemic in Melbourne – provide the foundation from which his work has emerged over the past four decades.”

Surrender & Catch showcases works from the significant collections of both TarraWarra Museum of Art and Art Gallery of South Australia. Augmented by a selection of loans from both public and private collections and institutions, the exhibition charts a journey from The Stations (1989), Harris’s first major series exploring the death of his friends to AIDS, to his return to the subject in 2021.

The exhibition emphasises the crosspollination of imagery and the development of forms in his printmaking, drawing and painting practice. Also included are prints by Louise Bourgeois, Edvard Munch and Kiki Smith, artists who have had a significant influence on Harris’s work.

A major highlight of Brent Harris: Surrender & Catch is a public forum Forming/Transforming: The Art of Brent Harris with the artist Brent Harris and curator Maria Zagala in conversation and presentations by Associate Professor Justin Clemens (University of Melbourne) and Dr Helen Hughes (Monash University). The panel will come together on Sunday 11 February 2024 for an informative afternoon to explore Brent’s methodology and development as an artist through his dramatic stylistic shifts over his four-decade career.

For the latest information, head to the Tarrawarra website here.