A cut from the pretty solid WOLF, Tamale sees Tyler channel a touch of Missy Elliot on the iconoclastic, fuck-em-all opening few verses before paring it back for a breezy and candid verse of paternal longing and disdain. It’s a cross-section of Tyler’s best qualities, navigating the complexities between the profane and the profound with a deft resolve.
Recommended

From Erica Dunn to Mikey Young, ten cult heroes of Melbourne's music underground

Looking back at some of Victoria’s greatest music festivals that are no more

A chat with cherished Melbourne musicians about what they love to read

Audio-Technica’s ATH-TWX7 earbuds are small but mighty

Chillin' In Banyule 2025: Community music festival brings 25 days of free live gigs
