Well on track to breaking through in a major way, Tkay opens M.O.B. with a solid pop croon, leading up to some quick fire bars over some grinding beats that almost, but not quite, lean towards dubstep, contrasting with the sugary pop glee presented elsewhere. It’s intriguing in its construct, chorus-less in a way, still laden with hooks. Daring and versatile, Tkay shows no sign of tapping the brakes. Look out world.
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