Possessing a similarly fuck-worthy grind shown on Ginuwine’s Pony, Kylie’s comeback single grooves on a not-quite-on-trend dubstep blowout. Dark Horse-style trap would have proved a sexier fit. The pop hooks aren’t too pronounced, but they’re measured and present. Also disappointing to see our Kylie jettison the Queen’s English and cater to the Americanised “ize” suffix. Shame.