From the sacred forms of ceremonial music and legally extinguished compositions to ‘backmasking’ (playing an LP backwards to reveal a subliminal, satanic message), private love songs and the proliferation of personal music players, the production explores the no man’s land that exists between public and private music consumption.
Coming to Melbourne for an intimate string of shows, the performance will guide audiences through a series of surreal scenes that hover between music, dance and live installation.
