Ellie Goulding’s third studio album, Delirium, confirms the versatile artist’s move towards the world of traditional mainstream pop. Known for her EDM and experimental showings, the English singer/songwriter has gone back to basics, but has created a record just as compelling as ever.
Teaming up with a bevy of renowned writers and producers, including Max Martin, Ryan Tedder and Greg Kurstin, Delirium is a tick-all-the-boxes pop record. Typical of the genre, the lyrics on the 16-track effort explore matters of the heart and the power of dance. Opening with Intro (Delirium), just under two minutes of stunning vocal expression, it’s a climactic journey from the get-go. From the sweet acoustics of Lost and Found and the evocative lyrics of Arm, to dance floor anthems such as Something In The Way You Move and Don’t Need Nobody, the British performer has covered all the bases.
Although you can’t fault the production quality, Delirium can only take listeners so far. While the catchy hooks will leave a day-long Delirium echo in your head, the effect often ends there. One exception is the Fifty Shades Of Grey soundtrack hit, Love Me Like You Do, which enables listeners to embrace the full scope of Goulding’s lyricism. The ninth track of the record acts as a buffer between two sides of non-stop pop energy – a speed bump that ensures all passengers arrive safely to their destination.
As expected, Ellie Goulding’s Delirium delivers all the pop elements you could ask for. If you’re looking for infectious melodies and lyrics to scream at the top of your lungs, it’s a sure fire hit.
BY PHOEBE ROBERTSON
