Brutal Dawn serves as the second instalment to Bernard Fanning’s recently released album Civil Dusk, with the two records working hand in hand to develop a fully rounded storyline. Brutal Dawn displays a level of realism that borders on cynicism at times, with Fanning expressing morose ponderings through lyrics detailing heartbreak, loss and regret.
The album sees Fanning dabbling with acoustic and electric elements, with an array of instruments working to develop intricate melodies. The record also includes a plethora of special guests, including Wolfmother’s Ian Peres lending a hand on the keyboard, Clare Bowditch chiming in with spine-tingling vocal harmonies, and Midnight Oil’s Rob Hurst on the drums. These collaborations undoubtedly influence the diversity of the tracks across Brutal Dawn.
Each song brings something different to the table. Shed My Skin infuses a contemporary violin melody with Fanning’s classic acoustic roots sound, complemented by soft keys. Isn’t It A Pity serves a full band sound and upbeat melody juxtaposed by disheartened lyrics, creating a beautiful paradox that leaves you unsure how to feel. Throughout the album, Fanning displays honesty and rawness, resulting in evocative and emotionally driven tracks.