Soundings: Selections
SOUNDINGS returns after long hiatus to presents ‘Selections’ on Saturday October 3rd at The Punters Club, Fitzroy featuring live sets by experimental post punk duo WINTERNATIONALE and post pub rockers, TECHNO 666. With corresponding DJ sets of vinyl selections exploring pop-noire, post punk and soundtracks of the international underground, SOUNDINGS includes deep cuts & dance-floor paramours courtesy of DJs Richie & Faux Rabbit.
Free entry – all welcome. Bands / stürm und drang: 10pm – 12 am. DJ sets 12 am – 3am + intermittently through out the eve.
On The Gags Comedy
Australia’s best Sunday Stand Up Sesh, returns with a banger lineup of the absolute best in the country!
Another once-in-a-lifetime comedy smorgasbord, live and loud at Bodriggy Brewery. Featuring legends:
John Cruckshank, Ben Knight, Sean Collier and some of the hottest up and comers in the game.
Doors from 7:30pm. Show from 8pm
Priya Ragu
Tristan und Isolde
Wagner called it his most dangerous work – a score built, by his own account, on a philosophy in which desire is not fulfilment but suffering, a force that hollows out everyone it touches. Most productions stage this as tragic romance. BK Opera does not.
Directed by the award-winning Kate Millett, her production returns to Schopenhauer’s darker premise and follows it to its conclusion. At its centre is not fate, but cowardice: a man who chooses silence over truth, and death over confronting what he has done, again and again, until there is none left standing who has not been destroyed by his avoidance. Isolde is not swept along by love but driven by a rage and shame she cannot outrun, even when she can see with sudden, terrible clarity exactly what is happening to her. What the audience is given, at first, is beautiful. What it becomes is something else entirely.
With such an intimate staging, Wagner’s sound is not only heard but physically felt. There is no remove between the singers and those watching, or between the audience and what unfolds. This is not a Tristan und Isolde to be admired from a comfortable distance. It is one to be survived.
Renowned Wagnerian stars, James Egglestone and Lee Abrahmsen lead as Tristan and Isolde, joined by Warwick Fyfe as King Marke, Belinda Dalton as Brangäne, Henry Shaw as Kurwenal, Daniel Sziesong Todd as Melot, and James Penn as the Steersman and Shepherd, under the baton of Kelly Lovelady.
Murder in the Market: A Murder Village Improvised Whodunnit
Welcome to Murder Village, where people shop till they drop… dead.
Melbourne’s award-winning improvised whodunnit returns with a brand-new show in a historic venue. Staged amongst the cobblestones and arches of the heritage-listed Meat Market, Murder in the Market is serving up five delicious new marketplace mysteries this Melbourne Fringe.
No matter the backdrop – from fresh produce markets to arts & crafts fairs, or parish bakesales to antique roadshows – there is seemingly a murderer lurking behind the sales stalls. Luckily there also tends to be an amateur sleuth on hand to get to the bottom of things…
How each crime unravels is up to you. You suggest the clue and the weapon, while your votes determine who’s safe from the chop and who’s on the menu for murder. After all, across nearly 300 shows, Murder Village has proven there’s nothing more sinister than a market fair in a picturesque mid-century English village…
Country House: An Improvised Comedy of Manners
You’re cordially invited to Country House, the 1920s comedy that’s oh-so chic, oh-so witty and oh-so improvised.
The team behind Murder Village: An Improvised Whodunnit brings the charm of countryside England to Melbourne Fringe Festival for five off-the-cuff sojourns inspired by Downton Abbey, Noël Coward, Oscar Wilde and P. G. Wodehouse.
While you’re visiting the estate, you might just get the chance to peek into the monied lives of high society’s movers and shakers. But during their escape to the country, this cast of characters will find their fortunes very much hinge on your scandalous suggestions…
This October, step inside Country House: An Improvised Comedy of Manners. Expect social faux pas, barbed witticisms and discreet liaisons… all served in time for tea.
Show Show at Melbourne Fringe
Wanna cap off the night with something wild? Show Show is the late-night comedy destination where no two shows are the same! Show Show sees some of Melbourne’s biggest names take part in its most unhinged event.
Comedy by the freaks, for the freaks!
Show Show at Melbourne Fringe
Wanna cap off the night with something wild? Show Show is the late-night comedy destination where no two shows are the same! Show Show sees some of Melbourne’s biggest names take part in its most unhinged event.
Comedy by the freaks, for the freaks!
Tragic: A Song Cycle By Indy Angel
Confessional indie-pop and musical theatre collide.
Experience an intimate evening of emotionally charged storytelling as Melbourne-based singer-songwriter Indy Angel brings her distinct blend of confessional indie-pop and contemporary musical theatre to The Beacon.
Across fourteen interconnected stories, tragic. explores the beautifully complicated nature of being human, moving through love, grief, healing, and the quiet moments that shape us.
Following the 2026 release of the studio cast recording by Moonrabbit Records, tragic. in concert brings the work into a stripped-back live setting, placing Angel’s vivid melodic songwriting and the performers’ voices at its centre.
Tender and threaded with hope, tragic. finds extraordinary feeling in ordinary lives and reminds us that, even in our hardest moments, none of us is entirely alone.
Content Warning: This concert contains themes of grief, loss, isolation and emotional distress.
The Night Cat is taking over next door, but it needs your help
Fitzroy’s favourite feline is stretching its legs, with The Night Cat locking in the lease on the building next door.
The Night Cat broke the news on its official Instagram, revealing plans to grow its Johnston Street footprint with a second music room, a public bar and a dedicated smokers area. The extra room means more stage time on offer for musicians, plus a bigger capacity for punters heading out to catch a show.
There’s a catch, though. Before any construction kicks off, the Fitzroy institution needs a planning permit from the City of Yarra, and it’s calling on supporters to lodge submissions backing the application before they close on 5 October.
The Night Cat
- Community submissions for The Night Cat’s expansion planning permit
- Submissions to the City of Yarra close 5 October
Stay up to date with what’s happening in and around Melbourne here.
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The Night Cat celebrated three decades of live music in 2024, marking the milestone with a run of special shows featuring local favourites and international guests. The room is known for its circular stage, which lets crowds gather on every side of the performers for an in-the-round experience.
The expansion news lands roughly a year after the venue’s run-in with an apartment developer at the Victorian Civil and Administrative Tribunal. In August 2025, VCAT cancelled temporary orders against The Night Cat after owner Justin Stanford submitted an independent acoustic report showing the business was operating within its permit conditions.
Submissions form part of the information council considers when assessing a planning application, so supporters have a short window to have their say. Anyone keen to back the build can find the submission link in The Night Cat’s Instagram bio.
For more information, head here.
Wild Horses Festival 2026 has extended sets, rare appearances and a secret headliner
Running from 13-16 November, the three-day Wild Horses Festival will bring together some of the biggest names in global psychedelic music for what’s shaping up to be the festival’s most ambitious lineup yet.
Capped at an intimate 2250 people, Wild Horses has built its reputation on community, connection to country and a genuinely wild time on the dancefloor.
This year’s anniversary edition goes even bigger, with returning legends, rare Australian appearances and a mystery headliner still under wraps.
The anniversary comes alongside another major win for the team behind it, with Wild Horses recently issued a three-year permit. At a time when permitted festivals and doofs are becoming increasingly difficult to pull off across Victoria, securing multi-year approval is a rare and significant milestone, one that speaks to the event’s ongoing relationship with local authorities and the surrounding community.
Wild Horses Festival
- 13-16 November 2026
- Carapooee West, Victoria
- Tickets here
Full lineup
Internationals:
- 10th Anniversary Surprise
- Bayawaka
- Convert-X
- Daksinamurti
- DEKEL
- Egon’s Embrace
- Electrypnose
- Etnica
- Etnica in Dub
- Goreiju
- LIBRA
- Neurolabz
- Persona
- Pleiadians
- SHTUBY
- SHTUBY Down Tempo
- Shrede’r
- Tecnica
- Thelios
- Tilda
- Tipota
Locals:
- Aaron King
- Akudra
- Anastasia
- Babbler
- Ben Evans
- Ben Wild
- Bekla
- Cephalopod
- Daniel Sun
- Dardi
- Ebony Willis
- Elkemist
- Erah
- Eridanus
- Fabrication
- Farebi Jalebi
- Finch
- Forbidden Moves
- Hella Funk
- Hypertone
- Inner Circle
- Jasmine Speers
- Jesper Robinson
- Jedidiah
- Jeffers
- Jonathan Davies Tribute
- Kalamansa
- Loren Spinner
- Ned Flangers
- Ophelie Mercury
- Particle
- Pinaeto
- Raspa
- Rez
- Rising Sun
- Slipstream
- Sumiruna
- Tom Baker
- Tom Whitelaw
- Tribone
- Triforce
- Wunderkind
- Yarock
Stay up to date with what’s happening in and around Melbourne here.
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DEKEL
DEKEL has been part of the Wild Horses story since day one, making his Australian debut at the festival back in 2018.
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This November marks his sixth appearance across the festival’s 10 editions, and his profile has only grown since, with his deep, hypnotic and psychedelic sound building him a devoted following both locally and overseas.
2026 is a huge year for the artist, with the launch of his new label Deepnotic and a fresh album released in February. He’ll also take over Northcote Theatre for an open-to-close set on 19 December.
SHTUBY
A regular on the Wild Horses lineup since his unforgettable debut set in December 2022, SHTUBY returns for his fourth appearance and third year running.
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His sets blur the line between DJ performance and live show, often featuring spontaneous electronic flute and theremin alongside his deep, energetic and hypnotic sound.
He’s also entered a new era recently, retiring his signature red suit and releasing a new album, BE, earlier this year.
ELECTRYPNOSE
Vince LeBarde’s Electrypnose project has racked up 25 years of production, and he’s bringing the full breadth of that experience to Wild Horses with three separate sets.
Expect groovy, bush-ready progressive sounds during the day, before shifting into psychedelic techno and then deeper, faster territory once night falls, all through the festival’s Funktion-One sound system.
LIBRA
LIBRA made his Wild Horses debut in 2023 with a set that left a lasting impression, and he’s back for round two.
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His sound draws on Goa and acid trance but filters it through a distinctly modern lens.
This time he’ll bring a stack of unreleased material, plus a rare old-school Goa retro DJ set reserved for special occasions.
ETNICA
Fresh off celebrating 30 years at Wild Horses in 2024, Etnica return for the 10-year edition with not one but four different projects on offer: Etnica, Pleiadians, Tecnica and Etnica in Dub.
Pioneers of the psychedelic trance genre, the group has spent decades shaping the sound and recently delivered extended sets at Ozora, Boom and an eight-hour closing set at Free Earth Festival in Greece.
DAKSINAMURTI
This one’s for the night-time wizards.
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As the founder of Sangoma Records, one of the most respected labels in night-time psychedelic music, Daksinamurti is known for extended journeys through forest, night-time and deeply hypnotic sounds.
For the 10-year anniversary, he’ll make a rare Australian appearance, his first since 2008, taking control of the main stage on Saturday night for an extended set.
Wild Horses Festival 2026
On top of all that, Wild Horses has a surprise 10th anniversary headliner up its sleeve, one of the biggest names in the psychedelic scene, who’ll be closing out the festival with an extended set of their own.
Who it is remains under wraps for now.
For more information, head here.
This article was made in partnership with Wild Horses Festival.
The government just made a bunch of live music promises. Are they enough?
Announced on 23 September, the measures include a permanent Live Music Desk, reform of EPA noise regulations, funding for all-ages events and a rule requiring Victorian government advertising to feature local music. The government has also flagged plans to gazette live music precincts and reverse the burden of proof for noise complaints, so venues inside a designated zone would no longer have to argue their right to exist. Music Victoria says most of these draw directly from Vote Victorian Music, the platform it built for the state election.
That campaign went public on 13 August, when more than 150 artists, venue operators, workers and industry figures gathered for the Victorian Music Assembly at Melbourne Town Hall. The platform is built around four priorities: locking in permanent funding, supporting sustainable careers, strengthening venues and infrastructure, and growing audiences and Victoria’s international standing.
Vote Victorian Music
- A permanent Live Music Desk
- EPA noise regulation reform
- Funding for all-ages events
- Gazetted live music precincts
- Reversing the burden of proof for noise complaints
- Mandatory Victorian music in state government advertising
Stay up to date with what’s happening in and around Melbourne here.
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The noise pledge
The noise pledge slots into work already under way. The government announced reviews of the live music precinct system and the noise rules operating inside those zones back in October 2025, covering how councils set up precincts and how amplified music is managed once they’re designated.
The advertising commitment, meanwhile, would mean any government-produced ad campaign has to carry music made in the state. Both pledges follow a separate funding package revealed on 21 September, aimed at regional touring, festivals and local venue activation.
The centrepiece
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Still on the table is the campaign’s centrepiece: a legislated 1 per cent levy on major live music ticket sales, feeding a permanent Victorian Music Trust. Under the proposal, grassroots venues, smaller operators, low-cost gigs and all-ages shows would be exempt from paying in while remaining eligible to benefit, and the fund would be governed independently so it sits outside the rhythm of election-cycle grant rounds. Music Victoria’s position is that grant programs and planning tweaks, useful as they are, don’t fix the sector’s structural pressures on their own.
The body values Victoria’s contemporary music sector at $3.55 billion. As a not-for-profit, it says it will keep pressing every party ahead of the 28 November poll to commit to long-term, structural backing for grassroots music.
“There is more to be done”
“We welcome today’s announcement from the current Victorian Government which has backed our Vote Victorian Music policy platform — it’s a promise to action our calls for a Live Music Desk, EPA noise reform and mandated local music in advertising are direct wins for the collective advocacy by our entire sector, but there is more to be done,” Music Victoria CEO Fiona Duncan said.
“This commitment is a crucial milestone, but government grant rounds and planning reforms alone cannot fix structural industry pressures. The next crucial leap is establishing a legislated 1% stadium ticket levy to power a permanent Victorian Music Trust that’s free from the vulnerability of election cycles. When international superstars fill our stadiums, a fraction of that revenue needs to be directed back into Victorian venues, artists, and the grassroots ecosystem that supports them.”
For more information, head here.
Ten years on, High Score reveals its biggest ever program of game sound sessions
Composers, sound designers, music directors and audio professionals from Australia and overseas are heading to Melbourne for the milestone 10th edition of High Score 2026, with a program that traces just how far game audio has come over the last decade.
Presented by the Victorian Music Development Office (VMDO) alongside Music Australia and APRA/AMCOS, with ACMI as venue partner, this year’s sessions go well beyond the technical craft of sound design, getting into what composers should actually be paid, how musicians perform for virtual worlds, and what happens once a soundtrack leaves the game behind.
High Score 2026
- 3 and 4 October at ACMI
- Presented by the Victorian Music Development Office, Music Australia and APRA/AMCOS
- Tickets here
Stay up to date with what’s happening in and around Melbourne here.
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One of the more personal additions to the High Score 2026 program is Legacy of the Lamb, a session built around the creative team behind Australian hit Cult of the Lamb and its expansion, Woolhaven.
Following the death of composer River Boy during development, collaborators including musician Arrowbird and developer Jojo Zhou stepped in to finish the score while keeping his voice at the centre of it.
The session will look back on his contribution to the game’s sound while exploring how the wider team carried the work forward together.
From cartoon noir to composer pay: the rest of the program
Elsewhere on the bill, PlaySide Studios pair Louis Seccull and Alec Bathman unpack the sound of cartoon FPS Mouse: P.I. For Hire, walking through how the game balances noir atmosphere with slapstick comedy across its effects, voice work and score.
Former Galvatrons frontman-turned-developer Johnny Galvatron joins producer and composer Josh Abrahams, whose credits stretch from Melbourne’s electronic scene through to Moulin Rouge, to dig into Mixtape, the homegrown game built entirely around licensed music and needle drops.
Two separate sessions turn to FMOD, the Australian-built audio engine now used industry-wide.
One explores how audio director Aaron Edwards and sound designer Mat Dwyer built the demonic soundscape of roguelike deckbuilder Malys, while another sees game audio veterans Jeff van Dyck and Anders Groenningsaeter break down a custom-built synthesiser used to wrangle the chaotic, physics-driven sound of Delverium.
The program also tackles the business side of the industry, with the Australian Guild of Screen Composers launching a new Games Rate Card, offering composers indicative fee guidance drawn from survey data collected in late 2025.
Award-winning Japanese music director Yoko Honda Gaalaas, whose credits include Bayonetta 3 and Trek to Yomi, gives a rare look at the job of shaping a game’s musical identity from the inside, while separate sessions cover recording live musicians for virtual performances and the growing life soundtracks have on streaming, vinyl and at live shows.
The new additions join headline sessions already announced, including BAFTA-nominated composer Christopher Larkin unpacking his score for Hollow Knight: Silksong, Wilbert Roget II (Helldivers 2, Mortal Kombat 11) exploring his approach to musical sound design, and Sony Interactive Entertainment Europe’s Duncan Smith tracing the making of the soundtrack for PlayStation title Saros.
A further session looks at building a game audio career across Asia, moderated by composer Kevin Won, and Otherworld Agency’s Fabian Malabello runs a live feedback session giving emerging composers the chance to respond to real briefs from Australian developers.
Curated for the first time by composer, musician and broadcaster Meena Shamaly, High Score 2026 takes place at ACMI on 3 and 4 October.
For more information, head here.
This article was made in partnership with the Victorian Music Development Office (VMDO), an initiative of the Victorian Government.
Melbourne Fringe Festival packs its bags for four days in Ballarat
The regional offshoot of Victoria’s longest-running multi-arts festival will take over several venues across the city with three exclusive headline events and a bunch of encore favourites from the metro season. It’s designed to give Ballarat audiences the full Fringe experience without the trip down the freeway.
Topping the bill is the world premiere of Degustation at the Ballarat Mining Exchange, a collaboration between contemporary circus company One Fell Swoop and chef Shu Liu.
Fringe Encore: Ballarat
- 22–25 October
- Various venues across Ballarat
- Tickets and full program at melbournefringe.com.au
Stay up to date with what’s happening in and around Melbourne here.
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The show pairs five courses of fine dining with ambitious circus performed by six acrobats. Over at Civic Hall, RuPaul’s Drag Race Down Under star Art Simone leads the cast of Fountain Lakes: Y2K alongside Thomas Jaspers and Jemima Handful, with the camp-drag parody running for four nights exclusively in Ballarat. 2025 Melbourne Fringe Living Legend award-winner Sammy J also brings Hero Complex to Civic Hall for a single performance.
Na Djinang Circus will bring free roving circus show Ocker to Ballarat’s streets, fresh from its Deadly Fringe premiere in Melbourne. The show features a portable railway track built in real time as performers tear through town.
Federation University hosts a run of shows including Elaine Crombie’s Grief, Love and Lead Balloons, James Ward’s Harold Holt: The Man, The Myth, The Pool (built around a replica of the Harold Holt Swim Centre) and Conk’s delightfully literal Man Sings The Same Song Over and Over Again for an Hour. The Ballarat Mechanics Institute rounds things out with four shows across two spaces, including Kelly Harris’ Yellow Fever: An Original Musical Cabaret, Darby James’ Little Squirt (winner of best cabaret at Melbourne Fringe in 2023) and Sean Burnett Dugdale-Martin’s Dune But Worse, arriving just in time for the release of Part III.
For more information, head here.
St Kilda Festival is calling for community groups to get involved
The festival returns to the St Kilda foreshore on 20 and 21 February, and organisers at the City of Port Phillip are on the hunt for community groups and itinerant traders to fill out the program. With around 350,000 punters rocking up each year, it’s a decent platform for getting your thing in front of a crowd.
The Community Group Activation Program gives local groups a spot on Big Festival Sunday, backed by major partner Community Bank Elwood.
St Kilda Festival 2027
- 20 and 21 February 2027
- St Kilda foreshore, Melbourne
- Community group applications close 5pm, 7 October
- Trader applications close 5pm, 19 October
Stay up to date with what’s happening in and around Melbourne here.
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Past editions have featured everything from medieval combat displays to pop choirs, fishing groups and street parades – so there’s room for just about any kind of act or activity you can dream up. Community group applications close at 5pm on 7 October.
Food and market traders looking to set up shop at the festival have until 5pm on 19 October to get their expressions of interest in. The festival positions vendors as crowd magnets in their own right, so it’s a solid opportunity to put your business in front of a massive summer audience. Trader enquiries can be directed to [email protected].
On top of the foot traffic, participants also get a boost from the festival’s marketing push across social media and local media coverage – not a bad deal for a free community event.
For more information, head here.
The Gomez duo have just locked in a 14-date Australian run
Ben Ottewell and Ian Ball have become near-permanent fixtures on the Australian touring circuit over the past few years, returning regularly for intimate duo shows that pull from across the Gomez catalogue and their solo work. This time around, the pair are marking a quarter-century since the band’s third album In Our Gun, which originally brought them to Australian stages for sold-out shows at Festival Hall in Melbourne and Hordern Pavilion in Sydney back in 2002.
Ben Ottewell and Ian Ball from Gomez
- 5 March – Rosemount Hotel, Perth WA
- 7 March – Freo Social, Fremantle WA
- 10 March – A&I Hall, Bangalow NSW
- 11 March – Miami Marketta, Gold Coast QLD
- 12 March – Princess Theatre, Brisbane QLD
- 14 March – The Gov, Adelaide SA
- 17 March – Northcote Theatre, Melbourne VIC
- 18 March – Torquay Hotel, Torquay VIC
- 19 March – Altar Bar, Hobart TAS
- 20 March – The Baso, Canberra ACT
- 21 March – Factory Theatre, Sydney NSW
- 23 March – James Hay Theatre, Christchurch NZ
- 24 March – Meow Nui, Wellington NZ
- 25 March – Powerstation, Auckland NZ
Tickets on sale 24 September at 10am local time.
Stay up to date with what’s happening in and around Melbourne here.
The March 2027 run will feature deep cuts from In Our Gun alongside staples from across Gomez’s back catalogue, with the pair expected to roll through tracks spanning their entire career together. Gomez won the Mercury Music Prize for their 1998 debut Bring It On and have released multiple acclaimed records since.
The tour is presented by Love Police, who are celebrating their 30th year in 2027. The promoter first brought Gomez to Australia in 2000 and has continued working with the band and its members through solo and duo configurations ever since.
Locally, Ben Ottewell and Ian Ball will play the Northcote Theatre on 17 March and the Torquay Hotel on 18 March, with the broader tour stretching from Perth through to Auckland across three weeks.
For more information, head here.
Electronic music pioneer Suzanne Ciani is heading to Australia
The electronic music trailblazer – who turned 80 this year – will bring her Buchla modular synthesiser performances to stages in Sydney, Hobart and Melbourne, all performed in immersive quadraphonic surround sound. The tour also includes talks, film screenings and workshop events across three cities, plus a set at the now sold-out Meredith Music Festival.
Ciani has spent more than five decades shaping the landscape of electronic sound. She’s released over 20 solo albums, created the iconic Coca-Cola pop-and-pour sound effect, voiced Bally’s groundbreaking Xenon pinball machine and designed sound logos for Fortune 500 companies. Her documentary A Life in Waves premiered at SXSW in 2017 and remains available across digital platforms. This year, she’s marking the milestone birthday with the release of her live album CIANI/OKREST, of which just 200 limited-edition records are available in Australia.
Suzanne Ciani Australian Tour 2026
Live in quadraphonic sound
- 29 November – Aco On The Pier, Sydney
- 3 December – Altar Bar, Hobart
- 6 December – The Edge, Fed Square, Melbourne (w/ Liquid Architecture and MESS)
- 11 December – Meredith Music Festival, Meredith (SOLD OUT)
Talks, film screenings and workshops
- 28 November – Art Gallery of NSW, Sydney (screening of Sisters with Transistors)
- 1 December – Powerhouse Parramatta
- 8 December – MESS, Melbourne
Stay up to date with what’s happening in and around Melbourne here.
Classically trained at Wellesley College and a Masters graduate in composition from the University of California, Berkeley, Ciani found early doors that the world wasn’t quite ready for her brand of electronic experimentation. So she pivoted to commercial sound design, walking into Coca-Cola’s studios and demanding they listen. The rest is, quite literally, embedded in pop culture history. She went on to score countless video games and commercials before returning to the concert stage as audiences caught up with what she’d been doing all along.
The Australian dates are presented in partnership with Corner Soul and will offer audiences a rare chance to experience Ciani’s music as she intends it – surrounding the listener from all four corners of the room. Her live performances on the Buchla synthesiser are famously unpredictable, with Ciani treating her instruments as temperamental collaborators rather than tools.
For anyone keen on the broader story, the talk events will feature screenings of Sisters with Transistors, a documentary exploring the overlooked contributions of women to electronic music, alongside Q&A sessions and workshops diving deep into Ciani’s remarkable career.
For more information, head here.