This Melbourne six-piece are pursuing a uniquely Aussie prog rock sound, but while their powerful, left of centre soundscapes bear the imprint of bands like Karnivool and Dead Letter Circus, they’re adding their own twist to the tale as well.
Robert Cuzens sings in a powerful, uplifting croon, and his tone and vocal phrasing resembles the frontmen of those aforementioned acts. You can also hear tinges of Claudio Sanchez from Coheed & Cambria – he has an excellent range, and sometimes the delivery is heart-wrenching.
Like any progressive band worth their salt, these guys are masters of dynamics – they know how to rock like thunder, and they know when to pull back into dark, wistful ambience. Musicianship, as you would expect, is absolutely top notch. These guys have chops and tastefulness in equal measure, and the production shines like magic.
As far as songs go, there’s not one weak link. Every one is uniquely crafted; all of them take you on a unique journey that’s catchy and complex at once. However, make sure you listen right up to the end of the album, as they save the best for last. People’s Temple and Shining Lights are both epic and wondrous, leaving you highly satisfied and eager to turn around and hear the whole album again.
BY ROD WHITFIELD
