Melbourne Recital Centre is one of Australia's finest examples of architectural brilliance meeting visionary musical programming. A gift voucher for a Recital Centre performance guarantees a night to remember.
From contemporary to classical, and everywhere in between, live music lives at Melbourne Recital Centre. In 2024, the Centre celebrates 15 years of living and breathing live music with an array of incredible artists joining the festivities, so there’s never been a better time to explore their incredible programming.
Keep up with the latest music news, features, festivals, interviews and reviews here.
Whether the music lover in your life is looking for a captivating contemporary experience from the likes of Courtney Barnett, Arooj Aftab, and Blind Boys of Alabama; or an exquisite classical experience from Víkingur Ólafsson, Yeol Eum Son, or Brooklyn Rider, a Melbourne Recital Centre gift voucher makes the perfect gift for anyone looking to compose their own musical experience.
Gift vouchers – which can range to any amount of your choice from $5 upwards – are valid for three years from the date of purchase and are redeemable for any event at or ticketed by Melbourne Recital Centre. You’re able to purchase your voucher online and it can be emailed to you or directly to the recipient with your own personal message.
One of the best aspects of a Melbourne Recital Centre gift voucher is the sheer diversity on offer.
February alone sees the internationally-renowned, meditative and slow-burning performance of Courtney Barnett, the contemporary Guinean fusion of rich vocals, upbeat rhythms, and intricate melodies of Jarabi Band, the enigmatic genius of Franz Schubert, as performed by illustrious English pianist Paul Lewis, and a journey through time to the dusty musical borderlands of the American Southwest, courtesy of Arizona masterminds Calexico.
Best of all, a Recital Centre gift voucher not only allows the recipient to explore their own musical taste, it invites them to broaden their horizons.
Find out more here.
