If The Rubens’ self-titled debut record, released in 2012, pricked up the ears of the Australian public, then Hoops should cement them as a top-tier modern Australian rock band. Hoops draws on some completely different textures and sounds to their debut, but it’s not a reinvention of The Rubens sound. Distorted, indie rock guitars and electro drum beats shine across the face of this addictive record.
It opens with Hallelujah, a-mid tempo rock track that’ll be in shortlists for the Hottest 100 later in the year. Bitter End opens with a James Blake-esque vocal line and incorporates elements of electronic production. This is initially surprising, due to the blistering indie guitar pop the band is known for. But, heading for the unexpected on the follow up to a successful debut is a very smart move, and it works incredibly well for the band.
David Kahne, who has worked with the likes of Lana Del Ray and The Strokes, produced the album, and his influence shines through on each track. The drums are heavier, the electric guitars ring out in the mix and frontman Sam Margin’s vocals soar on the likes of Battles and The Night Is On My Side.
Hoops is a record that fans of the band will get behind, and it also serves as a perfect introduction for those who’re late to the party.
BY TEX MILLER
