In March, a small current travels south.
From the underground rooms of Kyoto to the bandrooms and record shops of Victoria —
The Fax and Tokiyo Ooto arrive for a short, intimate run of shows,
with Meshia To Ninjin joining as special guests.
Fragments of psychedelic guitar.
Loops unfolding in real time.
Controlled noise.
Quiet immersion.
This is not a spectacle.
It’s proximity.
It’s texture.
It’s sound moving through small rooms and staying there.
