Part exhibition, part séance, part print room: a factory for the uncanny.
PRESENTED BY THE SUBSTATION & MELBOURNE FRINGE.
Registrations unfolds across two Saturdays and an exhibition at The Substation as both public program and publishing experiment: Issue 3 of Hidden Door Journal, produced by Ranch Pressing in real time and under pressure.
Part exhibition, part séance, part print room, the project treats performance as inscription — something registered, duplicated, transmitted, worn into matter. Sounds, gestures, voices and their residue become transcripts, proofs, annotations, copies: published as they occur, before they disappear.
