The Wau Wau Sisters opened with a trashy, 80s-inspired duo trapeze. Set to Guns and Roses and packed with punch, these half-sisters completely turn circus conventions on their head. Melburnian Jess Love is charms the crowd with incredible skills in hula-hoops and skipping, while Captain Frodo makes interesting use of a tennis racket frame and baked bean can. This Norwegian contortionist combines astounding balance and flexibility with clever clown antics.
A highlight was Le Gateau Chocolat, an opera-diva with an enormous voice and personality to match. With his outrageous costumes and strong stage presence, this lycra-loving baritone knows how to work a crowd.
Ursula Martinez’s burlesque interpretation of the ‘disappearing hanky’ trick had the crowd in hysterics. Her sleight-of-hand was a bit sketchy with, but considering she did it stark naked, it’s unlikely that many noticed.
Hamish McCann’s Chinese Pole-turned-lamppost was a striking performance, displaying his amazing ability (and body), but the standout of the night was David O’Mer’s world-famous ‘Bath-Boy’. This stunning aerial ballet, performed from a bath in soaking wet jeans won’t be forgotten in a hurry.
In the intimacy and grandeur of Melbourne’s Forum Theatre, La Soirée makes full use of space and time: not a single inch of the venue is wasted and every minute is used to entertain. Performers are not afraid to make a mess – whether it’s beer, water or cigarettes, those sitting in ringside are likely to be fully immersed in the action.
La Soirée is a bit like being invited to hang out with a carnie family for a couple of hours. It’s a bit naughty, a bit quirky and utterly spectacular.
