The Bonobo performance was an eclectic and surprising show that is difficult to explain in mere words. The act began with a bold opener by mastermind Simon Green, introducing himself and profound drummer Jack Baker to the audience, and encouraging them to immediately move their bodies with his latest dance track Cirrus.
As a long time listener to Bonobo records, I was intrigued to discover how this one man- electronic producer would showcase his delicate, sample heavy music in band formation. I was presently surprised to walk into the theatre and see spaces for a string quartet, many windwood and horn instruments, two synth sections, a drummer, a guitarist and vocalists, as well as Green’s podium of electro toys and bass. This foundation seamlessly steered the show through the collection of ambient, world, trance and dance tracks which all hold the unique Bonobo flavour.
The night was predominantly instrumental and electronic, however I must not discount the two guest vocalists – Andreya Triana and Melbourne’s own, Chet Faker. From where I was standing, Triana’s vocals were hard to hear and seemed to get lost in the conglomeration of samples, intricate bass lines and detailed drums. I personally feel that this had something to do with her microphone technique and not her vocal ability or the sound at the venue on the night. The spontaneous appearance of Chet Faker on the stage singing a new song off the recently released album The North Borders, caused huge applause and delight in the audience. Overall, the gig showed the incredible talent, devotion, and musical integrity of Green, aka Bonobo and I struggle to comprehend how much time and effort was dedicated to recreating his beautifully recorded and produced tracks into a 12 piece band with such seamless manoeuvres between tempos, styles and samples.
BY MIKHALA HAWKEN
Loved: The drummer.
Hated: The annoying group of guys in front of me.
Drank: Nothing. I was sober and loving it.
