Delicate, epic, haunting, ominous – there is something somehow revelatory about her sophomore album Aventine, as though any moment you might turn a corner and find yourself embarking on some Carrollian quest. Curious, given that the majority of songs are quite introspective and not at all what you would normally associate with adventure. Or that’s … Continue reading Interview: Agnes Obel will leave you embarking on a Carrollian quest