Raw, emotional and soothing: The Second Act sees Missy Higgins mourn a marriage gone cold
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Raw, emotional and soothing: The Second Act sees Missy Higgins mourn a marriage gone cold
Missy Higgins was 21 when she released 2004’s The Sound Of White and has described this latest, sixth set as “a kind of sequel” to her debut, which dropped 20 years ago to the day.
As a newly divorced mother of two, Missy found songwriting therapeutic while mourning the loss of her imagined future. During Story For The Ages – the first song she tearfully composed for this album – Missy sings, “It was never meant to be like this… The book went up in flames.”
Keep up with the latest music news, features, festivals, interviews and reviews here.
“I’ll always love your daddy/ ‘Cause together we made you…” – A Complicated Truth, the record’s third single, was written in response to some tricky questions her five-year-old daughter Luna started posing from her car seat.
Craters, an upbeat stomper, brings some welcome levity: “I know by now becoming whole again just takes time.”
Then there’s the heart-rending Blue Velvet Dress, which transports us back to New Year’s Eve, 2021, when Missy performed at the Sydney Opera House forecourt against the backdrop of realising her marriage was unsalvageable.
Missy’s vulnerable, confessional songwriting is her superpower. Having established herself as an artist with longevity, Missy will be inducted into ARIA’s Hall Of Fame this year. From The Special Two to When 4 Became 3, Missy powers through The Second Act with dignity and grace.
Let’s be honest, that frothy sip from a crisp-chilled glass in one of the best beer gardens in Melbourne, whether it’s in a pub jungle surrounded by trees, or maybe watching a DJ spinning some vinyl while your dog’s at your feet…it’s the best way to combat these sweltering summer days.
While temperatures soar, there’s something in the Melbourne air stirring up a tingling nostalgia for warm, raucous nights with a frosty in hand.
Stay up to date with what’s happening in and around Melbourne here.
In this city, nature and beer go hand in hand: park bevs, river bevs, and of course, beer garden bevs. The beer garden subculture is one we Melburnians embrace wholeheartedly, so we’ve compiled a list of Melbourne’s best beer gardens.
Your absolute classic beer garden, and potentially the best in the inner north. Tucked away behind Brunswick Street, The Standard’s magical beer garden is an optimal hideaway for an extended session. Filled with huge sturdy tables and plenty of them, The Standard’s got any group covered, large or small – book ahead here as it’s a local’s favourite on a balmy night.
Another local favourite, The Retreat offers a perfect beer garden, with all the trimmings. It’s huge and features plenty of greenery and seats for all your beery gathering needs. Like all good spots, seats fill up fast at The Retreat, so get in quick by booking in here.
Dedicated menu: Finger food, pub meals, something for everyone
Quality, absolute quality. The Great Northern is more than just a great pub, it’s an experience. With huge TVs cementing its appeal to sports fans, The Great Northern’s beer garden is a place to come together over a pint and preferably, a ripper game of footy. Oh, and they’ve even got a merch shop too.
Vibe: Warm, perfect for seated and standing events
Dedicated menu: Burgers, parmas, even kangaroo
Plenty of the best beer gardens just happen to cluster on the north side… no apologies will be made. Something in the air, perhaps. It wouldn’t be a comprehensive list without a shout-out to The Union, where both upstairs and downstairs beer garden offerings ensure your crew will get a table. The downstairs is leafy, green and cozy, while the upstairs is large and spacious.
A little oasis in the midst of the city, Workshop’s vibrant green beer garden is a comfortable escape from the CBD’s chaotic urban energy. The oasis element is further emphasised by their luscious misters, keeping the temperature down for optimal beer-sipping comfort. The fun doesn’t stop there at Workshop, they also offer a free space for artists to show off their work! They are doing truly great things.
The Castle’s beer garden is a jolly little escape – a comfortable, sheltered space in which to while the afternoon away over a few frothies. With pleasant bar staff and an all-round good vibe, The Castle’s low-key atmosphere is one you can always count on.
Okay, a bit of a confession here. This may just be our favourite of all the rooftop bars in Melbourne, and on many occasions, we’ve wished they’d hold more live music or DJ sets here. The Loop brings massive Melbourne vibes to the top level, bringing chill vibes into the nightlife. They support all the arts and their project space puts on displays from an array of local artists. On the grub side, you’ve got classic cocktails, fancy wines and a heap of rare brews. Check out more info on Loop here.
A newcomer to the beer garden scene, but nevertheless a chic one. Harlow offers a large, comfortable beer garden, with plenty of shelter from that sweltering summer sun. Greenery, greenery, greenery and some colourful art, if it’s garden beers you need, Harlow’s got you covered.
Dedicated menu: Cool quirky stuff and bar classics
While we’re talking misters and oases, Dr Morse offers a similarly-comfortable hideaway vibe. Great tunes and even better food offer a strong vibe to the beer garden scene. Better yet, once food service ends on the weekends, the lush little garden evolves into a dance floor. We love a versatile space.
Dedicated menu: Bring your own or from Basco Brunswick
“Am I in Australia?” This spot takes the best of Irish pubs, NY Jazz clubs and garnishes it with some Australian flair to make a great haunt. There’s music around the clock, your favourite beer and wine, and even food from Basco Brunswick. Live music is bursting out of its briefs at Brunswick Green, the Beer Garden’s even got an outdoor stage where some jazz is always happening.
Live music: Acoustic, rock, something for everyone
Dedicated menu: Share plates, gourmet feeds
Very cozy-chic, The Aviary boasts a stunning beer garden, perfect for a relaxed drink in the almost-inner-city. Perfect for large groups and offering a huge selection of local beers and divine food, The Aviary is a perfect spot to catch up for a bev with friends, family, lovers… or anyone really.
What’s up with Brunswick and great pubs? Seriously, the suburb has them coming out of the woodwork. This speakeasy, divey, local favourite has what you need for a good beer-drinking time. With divine tap beers and a laid-back vibe, The Bergy Seltzer is just plain great. And with live music and free comedy every week? Where do I sign up?
The College Lawn’s calling card is its “epic beer garden”. Say no more, we say. It’s huge, and we mean huge. With cottage-core aesthetic greenery (think vine-covered walls), heaps of seating and standing room, the massive space complements a hotel that does it all – lounge bar, restaurant and even accommodation. College Lawn is one of our coolest beer garden spots, and you have to check it out.
Oh, how we yearn. Some of Melbourne’s greatest gigs, banging food and a sprawling beer garden. The Corner’s been a staple of all our lives in some way shape or form over the years. It’s flat-out fantastic – they truly have it all. Footy, music, and right near a station? Can it get any better?
Dedicated menu: Mexican tacos, tortillas and wings
The mini beer garden out the back of stellar West Melbourne haunt Hello Jose is a place of frivolity and warmth. Their tacos and margaritas are something to behold too, and when coupled with a light brew, it’s an experience you’ll never forget. They’ve also got a sick ‘Boozy Brunch’ you’ve got to check out – you need to get eight mates together, and it’s $65 a person, you get tacos, sides and two hours of bottomless booze – that almost sounds too good to be true. Book it in here.
Dedicated menu: Cool and quirky items like a mushroom burger
The Windsor Castle’s beer garden gets hectic in the summer but I don’t mind balancing three heaped pints as I weasel my way through 50 million people. YEAH I LOVE IT…
Nah but seriously, this spot has got all manner of things going on with its jungle-like beer garden, including an outdoor bar which is supreme for all the sesh weapons out there.
Ahhhh the red, orange, yellow, green, blue, indigo and violet. See what I did there? No list of Melbourne’s best beer gardens is complete without a mention of The Rainbow. Who was the legend who thought of putting the pool table outside, and why is that bike hanging from the roof? Lol. This is place is wacky, but geez it’s fun.
Vibe: Mix of old and new, a place you’ll never want to leave
Live music: Acoustic + rock
Dedicated menu: Bar food
There’s so much to love about North Melbourne’s Prudence. Whether it’s the homely vibe inside, the cute little rooms, or the dope decor, they’ve got you covered for a solid sesh. Then there’s the beer garden, which is kind of an inside-outside room with a rad setup. Never has picking where to sit been such a fun activity.
Upper Lygon’s Atticus Finch has got heaps of shit going on. Wander out the back and you’ll find an intimate beer garden, fitted with art-deco/shabby chic, aged metal and wooden outdoor sets painted in chipping white. Then there’s a shed with a pool table in it… Bloody oath! On the food side, they excel in cheese out of all things – pairing it perfectly with your chosen drink.
Dedicated menu: Finger food, burgers, salads and share platters
You’d hope The Fitzroy Beer Garden’s outdoor drinking domain would be sound given its name, and they don’t disappoint with an area that’s expansive and serene. It kind of feels like an adult playground which is dope. You can even grab a steak or two to go alongside your pint. They’ve also got a bunch of specials every week to make sure you can get some great deals.
The Tote is included in this list not for reasons of flash and swagger, but for convenience. Keen on a ciggy in between sets? Take 10 steps and you’re there in the beer garden, where everyone’s having a great time. And there’s no need to forecast when the next band is coming on because you can see the stage through The Tote’s side window… C.O.N.V.E.N.I.E.N.T. On the live music side, they’ve got rock, rock, and more rock, it’s great fun heading here.
Vibe: Old school English but with modern Melbourne stylings
Live music: Indie Rock, acoustic, and lots more
Dedicated menu: Old school hearty pub meals
The Wesley Anne’s beer garden is just straight cool. Sometimes I want to walk to every corner of it just to experience every pocket of it. Is that weird? It’s like an old-school English pub that’s been picked up and plonked in Northcote. They’re a great mix of old and new, and with killer bands hitting the inside stage every couple of nights, I don’t think I ever want to leave.
‘I’m in the prime of my fucking life’: Miss Kaninna is in a league of her own
The 26-year-old’s ascent into the Australian music scene has been nothing short of meteoric. Unafraid to confront uncomfortable truths through sharp lyrics and an expanding array of sounds, Miss Kaninna has cemented herself as a force to be reckoned with.
With her highly-anticipated debut EP, KANINNA, she isn’t asking for a seat at the table – she’s kicking down the door and telling the world to listen.
Keep up with the latest music news, features, festivals, interviews and reviews here.
Set for release on September 20, the EP is a dazzling reflection of Miss Kaninna’s multifaceted talent. Exploring freedom, vulnerability and reassertion of dominance, each track serves as a “theme song” for an aspect of her identity.
“I wanted this to be a selection of different emotions and feelings, kind of like a playlist where you’ve got a song for every situation,” she says.
Produced with YAOB and Jacob Farah, the songs draw hip-hop, rap, R&B and pop with swirls of Reggaetón and other global influences. The young musician is determined to avoid being “boxed in” to a single genre.
“I don’t want to be known as just a rapper, or just a singer, or for just being an Indigenous artist,” she says. “I want to be known as an artist.”
Hailing from the remote shores of Bruny Island in lutruwita/Tasmania, the proud Yorta Yorta, Dja Dja Wurrung, Kalkadoon and Yirendali woman was born into a world with music and community at its centre.
Her mother, Ruth Langford, played in a funk-reggae band before founding the Aboriginal social enterpriseNayri Niara and working for the Indigenous Women’s Legal Centre.
Her grandmother, celebrated painter and activist Rosalind Langford, was instrumental in establishing the Aboriginal Information Service (AIS), Tasmania’s first Aboriginal organisation, and was elected as its first State Secretary.
“My whole life I’ve been surrounded by musicians,” Miss Kaninna says. “Growing up, I always told my mum that I wanted to be a singer. I believed that with my whole heart and soul.”
Despite her early interest in music, Miss Kaninna shelved her aspirations after high school and moved into a career in nursing. “I realised that it wasn’t as easy as just giving it a go, so I kind of took a step away from that dream.”
A few years on, the pandemic reignited her passion. “Seeing the downfall of live music, it was like, ‘Oh my God, have I missed my chance?’” she recalls. As social gathering restrictions eased, a series of “highly illegal” backyard concerts hosted by friends saw her take backing vocals. “Ever since then I just got the real hunger for it and started taking it more seriously.”
Throwing herself into songwriting and assembling a band, she played local gigs before moving to Naarm/Melbourne where her recordings began taking shape.
Since the release of her debut single, Blak Britney, in early 2023, Miss Kaninna has leapt from strength to strength. “My whole life has changed. It’s everything that I thought music was going to be and more,” she says.
“I really didn’t think that blackfellas all over the country would stand with me,” she says. “Black women have come up to me, from four years old up to bloody 90 years old, and said that they feel seen. To me, that’s the most important thing.”
However, her lightning launch into the spotlight has not come without challenges. The multi-award-winner has been subject to frequent derogatory discourse since entering the public eye. Fortunately, any opposition only adds fuel to her flame.
“I know what hate is,” she says. “I know what racism is. I’ve experienced it my whole life, like my whole family has. Even in the face of that, we still rock up to the marches, we still go out to protect country and risk getting arrested by the cops or getting flogged. As long as this music makes black people feel good, I really don’t care what white people have to say about it. It just makes me want to do more and be more purposeful with my message.”
Reflecting on the whirlwind of her past year, Miss Kaninna speaks frankly about navigating the demands of the music industry.
“I feel the pressure of them wanting me to be a certain type of black,” she says. “I feel the pressure of making sure that I’m staying true to who I am, but also still trying to live off my music…Those people want nothing more than for me not to swear, to dress all covered up, to only talk positively and to trauma porn about how sad it is to be black. That’s not what I’m about.”
Instead, she pushes back on expectations to “censor” herself. “I’m trying to focus on the truth-telling of what’s happened and uplifting our community – especially in the lens of being a woman,” she says. “I’m 26, I’m in the prime of my fucking life. If I want to wear a G-string and nipple covers on stage, I will.”
The lead single from her forthcoming EP, Dawg In Me, is emblematic of her gutsy defiance – describing the song’s theme as “fuck around and find out”.
“Since coming out with music, a lot of people have been testing me to see what kind of person I am, to see if I’m going to react,” she says. “I’m not gonna move when you tell me to move, but if you do me wrong – you’re gonna get it at some point. Whether that’s me giving it to you or whether it’s the spirits, it’s gonna come back.”
Inspired by artists like DMX and Doja Cat, the track melds playful, cautionary bars over crisp drums and rumbling bass. With her steadfast anti-colonial message never far away, KANINNA challenges social perceptions of Aboriginal music and invites audiences to expand their understanding.
“People have been brainwashed to think that Indigenous people are a certain kind of way,” Miss Kaninna says. “They’ve become so comfortable with being racist around us that they don’t even realise that what they’re doing is racism, or they’re so comfortable with having a stereotype pushed on us. I’m trying to break down the barriers of those stereotypes.”
As she prepares for her first headline tour in November, Miss Kaninna expresses a mix of excitement and disbelief. “I still don’t really understand what’s happening,” she says. “It’s very surreal”.
Looking ahead, she says she’s working towards releasing an album and performing on international stages. But her vision extends beyond personal success, already brainstorming ways she could give back to communities that, like her own, face long-standing socioeconomic challenges.
“I’d like the opportunity to not only tour these major Australian cities, but to get into communities that are struggling and don’t have access to music,” she says.
Aiming to conduct workshops and engage with emerging artists, she hopes the representation of identity will be a beacon for young Indigenous Australians with a similar dream.
“I want to be able to share what I have experienced with other people,” she says. “We have some of the most talented artists, they’re just poor. I want to help give people what other people have shown me.”
NGV’s new architecture commission is a labyrinth-like house within a house
The National Gallery of Victoria has just announced the winner of its Architecture Commission for 2024: Home Truth by Breathe, a thought-provoking installation that invites a re-evaluation of Australian housing practices.
This year’s winning design takes the form of a labyrinthine house-within-a-house, offering a powerful commentary on the environmental and social implications of Australia’s housing trends.
Stay up to date with what’s happening in and around Melbourne here.
Australia is renowned for having the largest average house size in the world, with a typical home spanning 236 square meters, according to 2020 data from the Australian Bureau of Statistics.
Home Truth dramatically contrasts this norm by juxtaposing an oversized external house frame — symbolizing the average Australian home’s massive scale—with a compact, timber-clad interior that represents a more sustainable and community-focused living space.
The installation’s external house frame mirrors the excessive scale of modern Australian homes, which often contribute to suburban sprawl and environmental degradation.
Visitors enter through a grand garage door and traverse a sprawling maze of rooms and corridors. This expansive yet empty space emphasizes the excessiveness of larger homes, inviting reflection on their ecological impact.
Upon emerging from this labyrinth, visitors encounter a serene timber volume crafted from tightly packed timber studs. This smaller-scale retreat offers a meditative space that encourages contemplation of alternative, sustainable living models.
The timber structure is not only a visual and tactile contrast to the oversized frame but also a nod to Melbourne’s historical housing solutions, such as the early 20th-century terrace houses and the mid-century Small Homes Services. These precedents underscore the feasibility and benefits of more modest living spaces.
Constructed from framing pine and Saveboard — a material made from 100% post-consumer waste—the installation uses just two primary materials to reflect contemporary construction practices. The Saveboard’s silver flecks highlight the inadequacies of modern insulation, drawing attention to the broader issue of overconsumption in housing materials.
“Home Truth speculates that overconsumption of space and materials translates into ecological and social consequences – for both us and the planet,” says Ewan McEoin, Senior Curator of Contemporary Art, Design and Architecture at the NGV.
“But importantly, it offers a provocative vision of a new way of thinking about building – seeing the value of living in spaces that are of smaller scale – a vision that prioritises people and planet.’
Home Truth will be on display from November 13, 2024, to April 2025 at NGV International on St Kilda Road, with free entry for all. For more information, head here.
‘The ultimate story is still being sung’: Allara Briggs Pattison leads the way at FUSE Festival 2024
Meaning ‘One Mob’ in the Woi-Wurrung language, Ganbu Gulin leads FUSE with a Welcome to Country for new Darebin citizens, replacing the traditional citizenship ceremonies on January 26th.
Ganbu Gulin at FUSE Festival
September 14
Bundoora Park Farm, Heritage Village, 1069 Plenty Rd Bundoora VIC
Keep up with the latest music news, features, festivals, interviews and reviews here.
Allara Briggs Pattison, a musician, composer, producer, director, storyteller and local Darebin resident, has closely followed FUSE’s evolution. “I’ve been watching Fuse grow since its beginning,” she says. “I love different ways of telling stories, and so when I saw that they started offering a Curator-In-Residence opportunity, I had my eye on it.”
Allara notes that alongside FUSE Festival’s growth in size, quality and scope, there has been a deeper, more meaningful change. “I’ve been watching the way that the City of Darebin has been trying to decolonise,” she says. “Ditching the 26th of Jan was a pretty big deal a few years ago, and they lost their citizenship ceremonies. I think it’s a pretty good sign for a council to be doing that.”
The free event will be held at Bundoora Park Farm, in the heart of Darebin. “I just wanted the opportunity to bring people together in a more holistic fashion but create lots of different ways to tell the same story,” Allara says. “I wanted to create an experience, for the story to continue telling, for sharing our culture and the way that it connects across so-called Victoria.”
Allara has curated Ganbu Gulin around the theme of Gugung Murrup, or Grandmother Spirit. The day’s events offer a wide range of celebrations and activities that invite participants to connect to community and the grandmother spirit that guides them. Highlights include a First Nations food justice panel, music throughout the day, Djirri Djirri dancers, a welcome from the mayor, and a community planting workshop featuring First Nations food plants.
The three plants to be planted, Allara says, “are the Murnong or the yam daisy, Kangaroo Grass, and Dianella, which is also known as Flax Lily – the ones whose berries you can eat.” The panel, titled Food for Thought, will delve into discussions on Land Back, Indigenous Cultural Intellectual Property (ICIP), Climate Justice, access to land and more.
Food for Thought workshop and panel
“It’s difficult to practice your traditions when you don’t have access to your land,” Allara says. “Or when you are living in one place but you might be from somewhere very far away. [Food for Thought] is raising the conversations around our rights to our native foods and what that means.”
Allara emphasises that all Ganbu Gulin events connect to “what First Nations women’s roles have been and what they still are.” Ganbu Gulin is being led by Gugung Murrup, by the Grandmother Spirit.
“Our country is our wise teacher, the holder of knowledge and this whole event. And the stories around the event are about remembering and reminding us of the matriarchal wisdom, that’s also within country and our grandmothers. It’s within us all; you don’t have to be a woman or a mother to experience that. This event is about encouraging people to connect more deeper with themselves and the intuition and connection to that matriarchal wisdom.”
As a musician and composer, Allara has naturally curated an artist-driven day of innovative music. “In terms of what we’re doing with our storytelling, it’s just a continuation of what our people have always done,” Allara says. “The ultimate story is still being sung by our Song Women and supported by all of us as First Nations people.”
“Experience Ganbu Gulin in all your senses”
Ultimately, Allara promises that Ganbu Gulin will be an event unlike any other. “I think it’s going to be a really unique festival,” she says about FUSE 2024. “And it’s going to be a really unique day,” she adds about the opening.
“I don’t think people will have been to an event that looks anything like this. I think it will be a really exciting day for people to come and not only be blown away by music but have really big conversations offered in terms of knowledge and wisdom and culture while also being able to feel it and taste it and experience it in all of their senses.”
You can check out the full program for FUSE Festival here.
This article was made in partnership with City of Darebin.
Telenova step out with dynamic and dazzling debut Time Is A Flower
Although recently formed, the previous projects of all three Telenova members achieved notable success: lead singer Angeline Armstrong, also a filmmaker, was one half of Beachwood and multi-instrumentalist/producers, Joshua Moriarty and Edward Quinn, were formerly of Miami Horror and Slum Sociable respectively.
“Cinema for your ears” is how Telenova describe themselves. They’re the whole package, as well: musically gifted, telegenic and top content creators to boot.
Keep up with the latest music news, features, festivals, interviews and reviews here.
Throughout, Armstrong’s vocals are delicate and longing – particularly her upper register – but also steadfast (eg. Tremors, Traces: a piano house-led highlightfeaturing vibrant bongos). While “pulled over on the side of the road, crying into [her] journal”, Armstrong penned January’s lyrics as a love letter to her “first friend” who had almost died that day.
We’ve heard Margot goes off live, which comes as no surprise: “Shoulda known better than to think I could forget her/ Heaven could’ve sent her, did I have it all wrong?” – that staccato chorus is so immediately catchy!
Lyrical repetition is used brilliantly and hypnotically at various points (see: Preamble – “I’ve got a feeling I’ve been here before,” especially when repeated, givesdéjà-vu). Tamil Rogeon’s string arrangements, brought to life by more than 20 musicians, provide a swoon-worthy throughline.
Time Is A Flower captures the human experience in all its messy, flawed, topsy-turvy glory.
LABEL: EMI RELEASE: OUT NOW
Thomas Rhett, Cody Johnson and Jon Pardi lead massive CMC Rocks lineup
CMC Rocks, one of Australia’s biggest country music festivals, has unveiled its much-anticipated artist lineup for its 18th-anniversary event, set to rock Queensland from March 21 to 23, 2025.
With presale tickets selling out within hours, excitement is high as fans prepare for a weekend filled with country music’s brightest stars. Headlining the 2025 festival are American country powerhouses Cody Johnson, Jon Pardi and Thomas Rhett.
CMC Rocks 2025
March 21 to 23
Willowbank Racecourse, Ipswich QLD
Tickets go on sale on September 12
Keep up with the latest music news, features, festivals, interviews and reviews here.
Hailing from Texas, Cody Johnson will be making his debut at CMC Rocks, bringing his explosive live performances to the stage.
Jon Pardi, already a familiar face in country music circles, continues to captivate with his distinct blend of traditional and modern country sounds. His recent single, Friday Night Heartbreaker, has been met with enthusiasm, promising an electrifying set.
Thomas Rhett, returning after five years, will showcase his blend of high-energy performances and heartfelt lyrics, including songs from his new album, About A Woman.
The lineup also features a remarkable roster of both returning favourites and first-time performers. American artists like Cole Swindell, Billy Currington, Koe Wetzel and Muscadine Bloodline will join the festivities, alongside up-and-comers such as Wyatt Flores and Kashus Culpepper.
Notable debut performances include those from Ole 60, Dalton Dover and Carter Faith. British singer Kezia Gill, who supported Bruce Springsteen last year, is set to impress with her own set.
Australia’s own talent will shine brightly with acts such as Travis Collins, Kaylee Bell, Lane Pittman and the ever-popular Vixens of Fall. Adding local flavour to the mix, the lineup also includes Max Jackson, Amy Sheppard and Imogen Clark, among others.
Festival-goers can also look forward to the unique Songwriters Show on the Tailgate Stage, offering an intimate, acoustic experience with artists sharing the stories behind their songs. The festival’s beloved Big Time Charlie’s will return, featuring DJ Konsky and Dee Jaye Bux, alongside other interactive activities such as line dancing and Live Band Karaoke.
CMC Rocks QLD has become a staple in the country music community, blending high-calibre performances with a vibrant festival atmosphere. “CMC Rocks QLD continues to set the standard as THE place the country community comes together each year to celebrate with friends old and new,” says Michael Chugg, Chairman of Chugg Entertainment.
“It’s a tradition we’re very proud of, an experience that transcends age, time and boundaries, and we’re excited to deliver yet another stellar lineup – featuring returning stars alongside some amazing first-time talent – for our community to enjoy in 2025.”
Tickets go on sale on September 12 at 10am AEST. Get them here.
Fat Dog: ‘I’ve been getting way too hungover to have emotions about this album anymore’
It’s 9am in London and Fat Dog keyboardist Chris Hughes has still not been home. Chatting to me from a park he doesn’t know the name of in Bethnal Green, it’s clearly been a long, long night.
“I went to the pub and gate crashed some party, then ended up at some random’s house. You know how it is in London,” Hughes admits.
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“This is the second time I’ve been interviewed by someone in this state. The first time I was in a telephone box that stank of piss and I threw up, so this is much, much better.”
It all sounds very rock ‘n’ roll, but alas, this is something Hughes is going to have to get used to. His band, Fat Dog are well and truly on the rise.
Fat Dog, the lovechild of vocalist and guitarist, Joe Love (mind the pun) began in 2020 during lockdown. Bored and bursting with creativity, Love began creating his own unusual solo music and eventually doing some gigs.
“Joe [Love] was like William Shatner singing along to his own little tracks, but instead of singing he was like speaking,” Hughes says of Fat Dog’s early iterations. Eventually after seeing a few of these gigs, he wanted to get involved.
“I only actually auditioned because I was going through a bad break-up. I asked the synth player if they had any spaces, and they told me they needed a viola player. They were like ‘Can you play?’ and I was like ‘Oh yeah, I can play’ which was a complete fucking lie.
“So that night I bought a viola on eBay and tried to learn it in a week. Then I auditioned and Joe [Love] couldn’t even look at me in the eyes. But the other synth player was leaving so he was like ‘Can you play keys?’. Then I got in.”
The band now consists of Love, Hughes, Johnny ‘Doghhead’ Hutchinson, Morgan Wallace and Jacqui Wheeler. Eventually signing with Domino Recording Company, the home of the Arctic Monkeys, Wet Leg and Four Tet, the band knew they were in safe hands.
“They [Domino] came down to a lot of gigs. They sort of seduced us because they were like ‘We have a studio in Brixton and if you ever want to come down and make some tunes, do’. So, we did.”
While the label, for the most part, has let the band do their own thing, they did make a few small initial changes.
“Some of the early lyrics were so gross,” Hughes admits. “So, they were like, ‘Maybe you don’t want to keep that’. One of the lyrics that was eventually thrown out was ‘You’re so dumb, I should have cum on your mum’s bum’. I think the label made a good call there.”
The band also got to keep the odd name, which Love created on a whim after realising before a show that they didn’t have name.
Eventually, after playing around the London gig circuit, the band eventually began to gather a following. “We built an audience off live shows which is not something you see that much anymore.” This route, Hughes believes, creates a much stronger foundation than bands “getting famous off a seven-second clip of their songs on TikTok.”
“We’re so shit at social media anyway. Joe and I wanted to develop our TikTok presence the other day. But I don’t understand how that fucking app works. I had to uninstall it because it was too overwhelming.”
While the band might not be the best on social media, there appears to be no real need. After spending their summer tearing up the festival circuit including performances at Latitude, Glastonbury and Pukklepop, the band have made quite the name for themselves.
It’s all come at a perfect time too, in the lead-up to the release of their debut album, WOOF. After they started recording in February 2023, the band went on quite the nine-month journey to get WOOF finished.
“Joe spent a lot of time on King of the Slugs. He really wanted to put our best foot forward on that one. But the hardest one was Closer to God. You think you’re really cool making a song in an odd time signature and then you realise how fucking annoying it is to record it in a studio.”
Hughes calls Love a ‘benevolent dictator’ when it comes to the recording process. “Which is no bad thing if you ask me. He keeps it efficient. I also don’t like having to think. It’s a really solid album.”
Unlike most artists who would be tearing their hair out before releasing their debut album, Hughes could not be more chilled. “I’ve been getting way too hungover to have emotions about this album anymore. This is my tactic to deal with the stress.”
But Hughes better pace himself, as the next few months are set to be hectic. “We’ve got a million gigs. More festivals in Europe, a UK tour, an EU tour, a North American tour, then Hong Kong and Japan. Then hopefully, one day, Australia – in the near future,” Hughes contends.
With that, it’s time to let Hughes go home and get some sleep. It sounds like he and the rest of the band will be needing it.
WOOF is out now on all platforms. Keep up with the Fat Dog here.
Nearly 100 extra Melbourne trains and trams to run tomorrow as MCG confirms no parking
The government has announced a huge swathe of additional Melbourne trams as footy finals return to Melbourne this weekend.
More than 55 extra tram services will run on routes 70 and 75 – as fans travel to and from the MCG and the nearby Iron Maiden concert at Rod Laver Arena. More than 91,000 footy fans are expected at the MCG on Friday night to watch Hawthorn take on the Western Bulldogs for a place in the semi-finals.
Melbourne trams for the AFL finals
An additional 30 train services have been scheduled to get people home
More than 55 extra tram services will run on routes 70 and 75
More than 91,000 footy fans are expected at the MCG on Friday night for the AFL
Stay up to date with what’s happening in and around Melbourne here.
An additional 30 train services have been scheduled to get people home – along with extra services planned on the Geelong, Ballarat and Seymour lines before and after game.
With MCC advising that there is no parking available at Yarra Park, and only limited parking available around the sporting precinct, public transport is the best option to and from the finals.
Whether you are supporting the Hawks or the Dogs, public transport is the best way to get to the footy. During the ANZAC Day round in late April, an estimated 170,000 fans caught public transport to proudly cheer on their team, with thousands more set to get on board this finals season.
“With plenty of additional services on metro and regional train lines, and extra trams, if you take public transport all you need to worry about is the footy,” Minister for Public and Active Transport Gabrielle Williams said.
“With more train and tram services added for footy finals, there is no need to drive to the game.”
Passengers can plan their journey using the PTV app and visiting ptv.vic.gov.au.
Brent Honey’s homecoming and Emei’s debut tour are about to electrify the Corner Hotel
The Corner Hotel, a cornerstone of Melbourne’s vibrant music scene, continues to push the boundaries of live performance. This September, this iconic venue is set to host two electrifying shows that promise to showcase its versatility and commitment to diverse musical experiences. In a thrilling lineup that spans genres and continents, The Corner Hotel will transform from a pulsating dance haven to an intimate alt-pop showcase within the space of a week.
In a thrilling confluence of local talent and international flair, the venue will showcase the euphoric beats of Melbourne’s own DJ mastermind, Brent Honey, alongside the Australian debut of LA’s alt-pop phenomenon, Emei.
Keep up with the latest music news, festivals, interviews and reviews here.
Known as a staple at Melbourne’s top venues including Xe54 and Revolver Upstairs, Brent Honey sets to heat up The Corner Hotel in Richmond on a Friday night. Fresh from his 19-show US/UK tour, Brent will transform the venue into a 360° ‘Boiler Room’ style setup for an unprecedented 6-hour set. Step into the world of infectious energy and a vast musical library in a euphoric dance experience with Brent Honey’s genre-defying sets.
His 15,000+ song USB isn’t just impressive — it’s a gateway to unforgettable nights. Fluent in house, trance, techno, and breaks, Brent crafts sets that resonate across the dance floor.
Catch Brent Honey in concert to capture the electrifying performance of Melbourne’s ‘happiest DJ’ as he continues his meteoric rise in the local and international music scene.
Get to be enchanted as LA’s rising alt-pop star Emei makes her Australian debut. With her powerful vocals and witty lyrics described as a blend of angsty, vulnerable, and relatable storytelling, there’s no doubt she can shake stadiums physically, mentally and emotionally.
Emei’s breakout hit “Scatterbrain” has amassed over 36 million Spotify streams, earning her a spot on the platform’s Artists to Watch in 2024. Her tracks navigate the complexities of young adulthood with a finesse that’s both relatable and refreshingly honest. Emei’s live performances are a testament to her growing global appeal, selling out venues across the US, Canada, and Europe. Don’t miss this opportunity to be part of Emei’s Australian story from the very beginning.
Secure your spot for a night of powerful vocals, magnetic stage presence, and songs that will have you hitting repeat for days to come.
For the whole run-down of events, have a look over the Corner Hotel’s full calendar.
The best theatre shows happening in Melbourne in September
Melburnians, get ready for a September to remember! The city’s vibrant theatre scene is pulling out all the stops this month, offering a dazzling array of performances that cater to every taste and mood. From the glittering stages of the Comedy Theatre and Her Majesty’s to the intimate spaces of La Mama HQ, there’s a show for everyone.
With a mix of Broadway hits, Australian premieres, and innovative local productions, September promises to be a theatrical feast that showcases why Melbourne remains a cultural powerhouse. So grab your tickets, settle into those plush seats, and let the curtain rise on a month of pure theatrical magic!
Explore Melbourne’s latest arts and stage news, features, festivals, interviews and reviews here.
Telling the story of King Henry VIII’s six wives as you’ve never heard it before, SIX makes its third visit to Melbourne. With a stellar cast and the most insanely catchy numbers, you’ll definitely want to catch this one while you can!
Come and see what the critics are raving about and catch the musical adaptation of Disney’s Beauty and the Beast before it’s over! Be surrounded by magic as this beloved tale is brought to life on stage.
Horizon is a double bill honouring the spirit and heritage of First Nations cultures through dance. The performances explore the concept of home and ancestral connection guided by the powerful legacy of their respective Indigenous cultures.
A stomach cell, tired of its usual digestive duties, hitches a ride on a red blood cell and embarks on a journey through the vascular system. Discover its story filled with vivid anatomical details and broaden your scientific vocabulary.
Starring Noni Hazlehurst and written by esteemed Australian playwright Daniel Keene, Mother is a powerful one-person play telling the story of Christie, a homeless woman. Winning the Matilda Award for her role in Mother, Hazlehurst’s performance has been capturing audiences for more than three years.
Invisible blends rousing speech, introspection and audience engagement to confront the existential challenge of climate change. Asking the uncomfortable questions to inspire action, Invisible is far more than a play – it’s a form of activism.
Starring Anne O’Byrne and Marina Prior, Carousel tells the poignant love story of troubled carnival barker Billy Bigelow and mill worker Julie Jordan. Carousel has been praised since its debut in 1945, and with a stellar cast and on-stage orchestra, this performance will no doubt live up to the hype.
Of Forgetting tells the story of Olga Stambolis, a WWII spy in Greece who, after being captured by the Nazis, reflects on her war service and her decision to leave her young family in Australia.
Christopher Wheeldon’s Oscar explores the life and writings of Oscar Wilde and has been commissioned exclusively for the Australian Ballet. Humour and creativity collide in this awe-inspiring production.
Mask Solo is a world-class performance by Lily Fish. Showcasing a diverse array of characters through masks and physical theatre, it was created in collaboration with expert mask maker Beth Twentyman.
Martyna Majok’s Cost of Living explores the complexities of human connection through the lives of four individuals. Featuring an ensemble cast, the play blends heart, humour and sharp observation to delve into what brings people together.
It’s Cinderella, but not as you know it. This solo play reimagines the story from the stepmother’s perspective, exploring Mara’s struggle for happiness. Mara humanises the often-vilified stepmother and challenges stereotypes about women’s capacity for love and cruelty.
Quasimodo: The Musical is an Australian world premiere, presenting a captivating new take on the Hunchback of Notre Dame with lush orchestrations and powerful numbers, featuring a stellar cast and the Royal Melbourne Philharmonic Choir and Orchestra.
Nadine Garner, Madeleine Easton and Dan Le join together for the theatrical retelling of Pride and Prejudice in an intimate drawing-room setting, combining Jane Austen’s words with Carl Davis’ score from the BBC series for a limited season at Arts Centre Melbourne.
To find out what else is happening in the world of Melbourne theatre, head here.
Big Games Night Out returns to Fed Square for an epic gaming extravaganza
Attention gamers, cosplayers, and gaming enthusiasts of all ages and backgrounds, get ready to level up! Big Games Night Out (BGNO) is back and bigger than ever, promising you an unforgettable experience bridging digital delights and real-world excitement.
Intrigued? Picture this: Fed Square transformed into a gamer’s paradise, where button-mashing meets cosplay strutting and everyone’s invited to join the fun. Whether you’re a casual Candy Crusher or a hardcore esports pro, BGNO has something to make your inner gamer scream with joy.
Here’s a taste of what’s in store:
Big Games Night Out 2024
A free, accessible, and all-ages gaming celebration
Thursday, October 10 from 3 PM until late
Federation Square, Melbourne
Find Melbourne’s latest film, TV, literature and gaming news here.
Be among the first to experience the mind-blowing projections and immerse world of Blaktasia: Invasion of The Murk, the upcoming game from Aboriginal-led studio GUCK.
It is a free, accessible, and educational mobile game adventure about restoring the bush with native animal encounters in a First Nations fantasy world informed by Country.
Crossy Road 10th Anniversary
Celebrate a decade of chicken-crossing mayhem with Melbourne’s own Hipster Whale Studio.
Their first release, Crossy Road, quickly became a viral success and Crossy Road titles have amassed more than 350 million downloads to date. Hipster Whale has joined forces with world-renowned companies along the way, including Bandai Namco and Disney to create more top-charting games like PAC-MAN 256 and Disney Crossy Road.
Cosplay Runway
Strut your stuff in your best gaming-inspired getup and compete for awesome prizes.
Cosplayers will take to Fed Square’s Main Stage runway to showcase the best in fantasy fashion and makeup in the Big Games Night Out Cosplay Runway, one of the highlights of last year’s event. Expect celebrity hosts, prizes and live music!
Join Indiginerd for a special D&D campaign that blends fantasy with Indigenous storytelling. Hosted within the Koorie Heritage Trust, you’ll get to meet some brand new members of The Guild and a special guest Grand Master.
Free play galore
Get your hands on over 50 free-to-play game stations, from retro classics to cutting-edge indies.
Multiple Games Zones will offer free-to-play games across the night – from 80s to indie, arcades to esports, and tabletop to roleplay. Big Games Night Out will feature more than 50 free-to-play game activations
Live performances
Dance battles, DJs, and more will keep the energy pumping all night long. Our highlight? The Just Dance-offs. See you on the D-floor.
Tabletop Takeover
Melbourne Meeples brings the best in board gaming, perfect for digital detoxers and analog enthusiasts alike.
Whether you’re a seasoned player or a curious newcomer, join Melbourne Meeples and the global boardgame resurgence for an evening of laughter, strategy, and fun.
Explore the exhibitions, play Aussie-made games, and chill in the dedicated Quiet Room when you need to catch a breath.
You’ll be able to play classics at the ACMI Collection arcade stations, or check out the best new Australian games of the year with the AGDAs: ACMI Audience Award exhibit.
You can also be one of the first to try out Rotted Luck, set to be one of the most groundbreaking projects of the entire Melbourne International Games Week. It’s a brand new games commission from Australian artists and developers Ian MacLarty and Vidya Rajan, that dives into the dark algorithms behind the pokies.
The best part? It’s all completely FREE!
Mark your calendars ASAP folks, dust off your favourite gaming t-shirt (or that Valor cosplay you’ve been waiting on), and get ready for a night that will have you hitting the ‘replay’ button in your mind for weeks to come.
Stay tuned to BGNO’s Instagram for more exciting announcements, including lineup of hosts, performers, and a detailed event map. Whether you’re button-mashing or dice-rolling, Big Games Night Out 2024 is your chance to be part of this town’s ultimate gaming celebration!
For more information on Big Games Night Out 2024, head here.
This article was made in partnership with Melbourne International Games Week.
The NGV is throwing a free day of Indian art, food, performance, dance, and music
From 11 am to 5 pm, visitors at NGV International will experience an exciting array of art, food, performance, dance, and music, with free entry to all.
This year’s event will kick off with a dynamic drumming performance by Indian dholis, starting on the NGV forecourt and continuing with a roving performance into the Great Hall. Guests can also enjoy a variety of Indian dance performances and workshops, including the classical Kathak and folk dances from Gujarat and Rajasthan. An interactive Bollywood performance and workshop will be led by Ignite Bollywood in the Great Hall.
The NGV’s Indian Community Day
Sunday 13 October 2024
NGV International, St Kilda Road
11 am to 5 pm
Free entry
Explore Melbourne’s latest arts and stage news, features, festivals, interviews and reviews here.
Hosted by actor and human rights advocate Sharon Johal, the event will feature a hands-on creative workshop for children by Melbourne artist Bushra Hasan, where kids can decorate rickshaws inspired by traditional Indian designs. A panel discussion on Indian garments in contemporary fashion will be moderated by SBS Radio host Preeti Jabal, with Melbourne designers Abha Gupta, Kudrat Makkar, and NGV’s Sunita Lewis.
Chef Helly Raichura from Enter via Laundry will offer a bespoke menu of Indian dishes throughout the day, while DJ Pradip Sarkar, also known as Sikander, will bring an exhilarating musical experience with a diverse DJ set in the Great Hall.
Indian Community Day is on Sunday 13 October 2024 at NGV International, St Kilda Road. Entry is FREE. For further information, please visit the NGV website.
12 new tram stops have opened across Melbourne’s CBD
Minister for Public and Active Transport Gabrielle Williams today announced 12 new level access tram stops have been installed along La Trobe Street – backed by a $68 million investment in the Victorian Budget 2022/2023.
The stops have been installed in both directions at Docklands Stadium and the intersections with Spencer Street, William Street, Elizabeth Street, Swanston Street and Exhibition Street.
New tram stops across Melbourne’s CBD
12 new level access tram stops have been installed along La Trobe Street
The new stops go both directions at Docklands Stadium, Spencer Street, William Street, Elizabeth Street, Swanston Street and Exhibition Street
The stops feature new shelters, seating, improved lighting and passenger information displays
Stay up to date with what’s happening in and around Melbourne here.
The stops feature new shelters, seating, improved lighting and passenger information displays, and separate pedestrians from cars to improve safety and provide more space for passengers.
The stop locations will also provide better connections to the State Library Station when the Metro Tunnel opens in 2025, making it faster and easier to change between train and tram services.
Since 2014, the Victorian government has delivered 98 level-access tram stops, in addition to making the largest ever investment in new trams in Australia, with $1.85 billion to build 100 low-floor Next Generation G Class Trams and a new tram maintenance and stabling facility.
“Melbourne’s historic tram network is now better and more accessible than ever thanks to our record investments in new trams and infrastructure,” Minister for Public and Active Transport Gabrielle Williams said.
“We’re delivering more level-access tram stops to make it safer and easier for all passengers to get to where they need to go.”
Yarra Trams track renewal will occur on various routes across the tram network. Commuters in Melbourne and surrounding regions should prepare for significant transport disruptions throughout September, October, and November. With various road and tram closures, travelers are urged to plan ahead and allow extra time for their journeys.
For more information on the tram stop upgrades, visit ptv.vic.gov.au.
Jazz, jaffles, dark secrets, discotheques: Toff in Town is the talk of the town this September
This month, head over to the Toff in Town for your September dose of epic gigs as they heat up the second-floor music room in Curtain House on Swanston Street, smack bang in the heart of the city. From spicy shows to nostalgic train rides, the team behind the Toff aren’t messing around with this month’s program.
Get sweaty on the dancefloor and cool off in a train carriage booth with a classic cocktail in hand at the Toff this September.
Keep up with the latest music news, features, festivals, interviews and reviews here.
It does exactly what it says on the tin. Every Thursday night, the Toff is filled with the sweet sounds of Melbourne’s finest jazz musicians and the mouthwatering smell of freshly made jaffles. Grab a booth and sink into a cocktail as you’re whisked away on a ride of lust and nostalgia, soundtracked by the best jazz in town. The music includes modern jazz, soul, afro, and more. The jaffles include all your childhood favourites, and more.
Tuesday night plans have never looked so sexy. NOW.HERE.THIS is a night of live jazz explosions and ultimate mid-week party vibes. A lineup of jazz musicians will take the Toff’s stage, alongside vocalists, dancers, rappers, visual artists and producers from all over the city. Get down early to the carriage side for a Happy Hour drink and dance your heart out in the comfort of knowing it’s hump day tomorrow.
The party is only just starting with Hyper Toff kicking off every Friday night at the Toff in Town. With Mizhap and Hijack at the helm of the September DJs, this party of 90s, noughties, RNB and House is sure to be one hell of a sugar hit.
Friday nights are sorted this September as 1800 Play returns for another month-long takeover. A night of intimate vibes and late-night grooves, each Friday will see a handful of the best DJs in town taking over the decks at the Toff’s dancefloor.
All aboard the Rhythm Express – DJ JNETT will be your captain. Every Saturday of September will see the Toff dancefloor blow up with the explosive powers of one of the city’s favourite DJs as DJ JNETT and friends take over the decks and take you on a musical train ride. For the ultimate experience of this fiery journey, make sure to book a train carriage booth so you can sit back and sink into the music.
The legends that are LLL are bringing their own lovely, lonely landfill of regretful mail to the Toff stage. Celebrating the release of their debut album, Letters I Should’ve Burnt, Lovely, Lonely, Landfill will be performing dark secrets and hidden fears to the tune of punk rock. Never has spilling one’s guts sounded so good.
The Songwriting Prize is your chance to discover the next big thing to blow up in music. For the first time in partnership with mental health music charity Listen Up, the Toff is your one-stop shop for Australia’s largest live music songwriting competition.
Celebrate the collision of culture, community and art at the Toff’s DOSA DOPA club night this September. Back by popular demand, this dance-focused event is the second instalment in the series. A dancefloor filled with Oceania’s best choreographers, dancers and DJs – need we say more?
It’s reunion time at the Toff this Friday in September as Deep Soul and Funk band Pablo Discobar reunite for a very special one-off show. Fifteen years between drinks, the original eight-piece band is turning back the clock and bringing the intoxicating tunes of the mid-noughties to 2024 with this reunion gig.
The Toff dancefloor is going Latin Dancehall with stalwart musician Lion Fiah lighting up the stage. The party kicks of at 8pm with Afrobeats, Caribbean Riddims and Latin Dancehall, and continues all night until 5am. Join Lion Fiah for a marathon celebration of infectious rhythms and fresh sounds this September.
From the ARIA charts to the Toff stage, Adam Noviello is a rising star you have to catch while they’re shooting past. In celebration of Adam’s latest single RECIPE, they’re set to ignite the music room with the kind of pop tunes you’ll wish followed you everywhere. Catch Adam Noviello at the Toff for your last chance see them perform this year.
Disco does everything but suck this month at the Toff. Some of the hottest DJs in town, Succulent Funk and Jarv!s b2b Maxima, are bringing disco back to Curtain House with the highly anticipated Discotheque event. Swap out the AFL Grand Final for a disco party this Saturday in September to relive the golden era of boogie nights and groovin’ tunes.
Keep up to date with all things Toff in Town. Follow them on IG here.
This article was made in partnership with The Toff in Town
The Wangaratta Festival of Jazz and Blues returns bigger, bolder and groovier than ever
At the heart of regional Victoria, the city of Wangaratta is proving that jazz and blues are alive and well. Celebrating its 34th anniversary, following concerns that the festival might not continue after last year, the Wangaratta Festival of Jazz and Blues is back, bigger and better than ever.
Taking place across thirteen beloved venues around Wangaratta and the surrounding region from November 1 to 4, this year’s program offers an eclectic array of veteran performers, emerging musicians, new additions, free events and the prestigious National Jazz Awards. Under the artistic direction of Serge Carnovale, founder of the Paris Cat Jazz Club, this year’s Wangaratta Jazz and Blues Festival is set to be one for the history books.
True to the innovative spirit of jazz and blues, the Wangaratta Festival continues to push boundaries with experimental takes on tradition. Ethio-jazz saxophonist Solomon Sisay will captivate audiences at the Old Baptist Church on Saturday November 2 with a performance that pays homage to Ethiopia’s rich musical heritage.
Another standout event is The Hetty Kate Quintet: Bass2, hitting the stage at Holy Trinity Cathedral on Sunday November 3. This exciting ensemble, led by Hetty and featuring two guitars and two double basses, expands the limits and stretches the horizons of what jazz can sound like.
The festival will also host the 34th National Jazz Award Final, featuring six of Australia’s best saxophonists under the age of 36 as they compete for the prestigious title and significant prize money. Judged by Angela Davis, John Mackey and Julien Wilson – who he himself won the award in 1994 – this promises to be an epic showdown of rising jazz legends on Saturday November 2 at the Alpine MDF Theatre.
World-class musicians and groundbreaking performances are just the beginning at the Wangaratta Festival. With a wealth of events to celebrate music and the cultural community that surrounds it, there’s something for everyone on the festival’s program. There are several markets happening around town – like the Oxley Bush Market and the Cathedral Market – as well as the King Valley Art Show, and even a free day of music at the Wangaratta Community Stage.
Wang’s Big Record Fair, taking place over Saturday November 2 to Sunday November 3 at The Centre, will be your one-stop shop this festival weekend for all your vinyl music needs. DJ Stu and DJ Dan Brunswick will be spinning tunes as you browse the selection of sellers and shop from the 20,000 records on offer.
Whether you’re a jazz and blues aficionado or simply love local community spirit, Wangaratta’s Festival of Jazz and Blues is an event not to be missed.
Check out the full program for Wangaratta Festival of Jazz and Blues here.
This article was made in partnership with Wangaratta Festival of Jazz and Blues.
Melbourne’s first state-run, low-cost childcare centres are now open for enrolments
The Victorian government is aiming to give busy Victorian families better access to affordable, quality and convenient kinder and childcare – with enrolments now open for Victoria’s first state-owned and state-run childcare centres.
Premier Jacinta Allan and Minister for Children Lizzie Blandthorn today announced that families in Sunshine, Eaglehawk North, Fawkner and Murtoa can now apply to enrol their children at one of the new state-run centres.
Melbourne’s new low-cost, state-run childcare centres
All government-owned childcare centres will be based at existing schools and also include free kinder
Families in Sunshine, Eaglehawk North, Fawkner and Murtoa can now apply to enrol their children
Fees will be lower than the average for each area. Families on low incomes will typically pay only a small fee each day
Stay up to date with what’s happening in and around Melbourne here.
The 419 children that will enrol in these centres will be the first to benefit from the 50 new childcare centres delivered through a nation-leading investment by the Labor Government.
Fees will be lower than the average for each area. This support and other subsidies mean families on low incomes will typically pay only a small fee each day. All government-owned centres will also include free kinder.
To ditch the dreaded double drop-off and give busy families a hub for the services they need close to home, the centres are located on local school sites with space for other supports like maternal and child health and playgroups.
Up to 130 licensed places will be available for children up to the age of five at the Sunshine and Moomba Park Primary School centres, with 102 places at the Eaglehawk North Primary School and 57 places at Murtoa College.
Each childcare centre will also offer long day care, including high-quality kindergarten programs for three- and four-year-olds – with a sessional kindergarten option also available in Murtoa.
By 2032, the Labor government will establish 50 centres as part of these nation-leading reforms – delivering quality childcare and Free Kinder to communities where early childhood education and care is needed most.
“We’re helping busy families access the services they need and saving them thousands with free kinder,” Premier Jacinta Allan said. “Childcare is a Commonwealth responsibility. But busy parents need more support. That’s why we’re stepping in.”
“We’re stepping in to deliver unprecedented investment in early childhood education to help our littlest Victorians and their families access quality early education and care – when and where it’s needed most,” Minister for Children Lizzie Blandthorn concluded.
Early Learning Victoria (ELV) will lead the delivery and day-to-day operations of Victoria’s childcare centres. To apply for enrolment, head here.
Major EDM festival ULTRA locks in dates for April 2025
ULTRA Australia will return to its hometown of Melbourne for the festival’s sixth instalment. ULTRA Beach Gold Coast will return to Southport for its sophomore edition on Friday April 11, 2025, at the picturesque Broadwater Parklands. The single-stage event will feature an impressive lineup of award-winning, international, chart-topping DJs and performers.
Ultra 2025 in Gold Coast and Melbourne
Gold Coast – Friday, 11 April 2025 at Broadwater Parklands
Melbourne – Saturday, 12 April 2025 at Flemington Racecourse
Keep up with the latest music news, features, festivals, interviews and reviews here.
On Saturday April 12, 2025, ULTRA Australia will once again touch down in Melbourne for the festival’s sixth instalment, showcasing a plethora of world-class electronic music talent across multiple stages.
Earlier this year, more than 40,000 ULTRAnauts sold out the 2024 editions of ULTRA Australia and ULTRA Beach Gold Coast. The events boasted an array of multi-award-winning artists, such as multi-platinum artist Zedd, A State Of Trance-boss Armin Van Buuren, global party-starter Steve Aoki, and hardstyle favorites Darren Styles and Brennan Heart, while British icon Carl Cox performed a special hybrid set in Melbourne only.
ULTRA Australia takes pride in creating an all-encompassing entertainment experience for its fans from around the world. Revel in mesmerizing performances from the ULTRA Angels, relax in the designated, shaded ‘chill out’ areas, enjoy culinary delights from a vast array of local food trucks, and taste cocktails from the various bars stationed throughout the festival grounds.
Ticket registration is now open here. Tickets will go on sale on Wednesday 11 September at 11am AEST for Registered Members Pre-Release.
