When it comes to being a stand-up, it can be hard to stand out – particularly with a few hundred other performers vying for attention within the same comedy festival. Rhys Nicholson, however, can again rest assured he’s made another strong impression with his new show, Forward.
A self-proclaimed specialist in the field of “good old-fashioned, hard-working Australian filth”, Nicholson nevertheless avoids relying solely upon cheap vulgarities for laughs. His observations are astute and well-considered, with the occasional sprinkling of crassness added for flavour. For those sensing red flags, fear not: Nicholson is not truly offensive, only playfully off-colour. There’s no ill-will here, rather cheeky, clever asides, with a dash or two of acidic self-deprecation. That Nicholson has notably continued to diversify and hone his craft since this show’s fantastic predecessor, Eurgh, is absolutely to his credit. There’s a maturity at play in Forward, even if some of the jokes would suggest otherwise.
In this show, Nicholson riffs on menial jobs, the peculiar traits of Gen Y and the hypocrisy at the heart of anarchist movements. Overall though, thematically, Forward is largely concerned with the future, as Nicholson ponders his legacy and considers shifting attitudes towards homosexuality. Nicholson’s charisma is pronounced, beckoning you to engage with every word.
Nicholson’s technique is astonishingly good, too, the young comic an expert in potent one-two punch lines. Nicholson habitually tickles with a second quip before you’ve even had a moment to digest his first, creating a kind of comedic ripple effect. This mode of quickfire delivery is incredibly effective and is only strengthened by Nicholson’s natural ability to adlib. Everything about Nicholson’s act screams confidence and you know you’re in capable hands from the outset.
Forward marks another impressive hour from Nicholson and confirms his credentials as one the very best stand-up comedians this festival has to offer.
BY NICK MASON
